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6-8 and 20

For how many?

What do you guys use? I use a simple basket. I am trying to find a bag that can carry the IFBs and also be unzipped and set at video village

Is the scratch track actually in sync with the picture in camera (i.e. is the camera's internal A/V sync accurate)? And are the camera's timecodes in sync with each other? I'd be inclined to suspect the FX6/FX3. Particularly when they were first released, I remember seeing reports that those cameras didn't always compensate properly for the internal processing delay, and would show 1-2 frame sync issues depending on exactly how the timecode was routed into the camera and how much internal processing the cameras were doing. I recall one of the cameras would show a two frame discrepancy from the same timecode source depending on whether the timecode was plugged in to the dedicated timecode input or the audio input (I think it was an FX3, but I'm relying on memory here). If you search, you'll probably dig up a couple threads on this forum about the issue. I haven't seen anyone complain in a while, so my assumption is that the problem was eventually fixed in firmware, but I haven't had to deal with those cameras recently. So, yes, update your firmware. On a more practical note, if waveform sync is working and more accurate, just use that. Timecode is useful, but only when it's working properly. I'm not here to tell you it's perfect or that you need to use the one true timecode workflow.

No idea what the reason is, but something alike was discussed some time ago. If the offset is constant, you can now use QTchange to do an offset to the BWF timestamp. (In frames, milliseconds or even samples.)

Thanks a lot! I will check them out!

I had a similar issue with a MixPre3 v 2 recently. Also with Tentacles. Please confirm that all devices, including cameras, are running the latest firmware and report back. Good luck!

Hi everyone. Recently, we acquired some Tentacle Sync timecode generators at my office job to be used in conjunction with our Sound Devices MixPre 6. We have a multicam shoot coming up where we will be using two Sony FX6s, a Sony FS7, and possibly even a Sony FX3. While testing our set up, I was able to sync the timecode between all of the cameras and the Sound Devices with no issue. When I synced the video and audio in post though, I noticed that the MixPre's audio was a couple of frames off from the camera's onboard audio. To figure out what I did wrong, I then set up just one FX6 and the MixPre to do a simpler test. Still, when I synced the audio and video in post, I can visually see that the waveform from the MixPre is one or two frames ahead of the scratch track. I actually get a more accurate match if just eschew timecode and sync the clips by the audio waveform. I have tried finding forum posts where others have had the same issue, but this has only lead me to further confusion. I've double-checked my frame rate and tried leaving the Tentacle Sync plugged into the FX6 rather than simply jamming it. Still, the sync is slightly off. My impression is that everyone I have seen do this either in person or on YouTube has no issues with sync. So what could be happening here? Is this latency maybe because the microphones are at different distances? Is there something I just fundamentally misunderstand about timecode? Am I expecting too perfect a sync? If so, why would I use timecode to sync audio in the first place? I'm just not sure what to think about this.

I visited this exact location on May 4th, 2024, while hiking the first stage of the Ikla–Oandu RMK trail, so I’m quite familiar with the area! I’ll attach a couple of photos from last year. I also have a bird recording from that trip made on my phone – nothing fancy, just something for personal reference using the Voice Memos app on iPhone. This time, I’ll be using a Schoeps MiniCMIT GR with a Rycote Windshield Kit MiniCMIT, and I also plan to try a stereo setup with 2x DPA 6060-OC-U-B34 mics, paired with DPA AIR1 Black S windshields. Since the recording session will take place during the night, there’s usually no traffic in the area, and hopefully the wind stays calm too – although being right by the sea, that’s never guaranteed. I’ll be testing this setup out in the countryside this weekend. If anything interesting happens to wander into the mics’ range, I’ll be sure to share it here!

Good luck. Hopefully no planes or other motorized vehicles around. What microphones are you going to use and what kind of wind protection?

Here are some choices to purchase them from or at least steer you towards a vendor. https://www.adventurexpert.com/product/mod-u-lox-clip/ http://www.tri-point.com/product/plastic-buckles/modular-systems/mod-u-lox-pouch-attachment-system/ A variation of the Modulox on Trew Audio https://www.trewaudio.com/product/coga-sound-mod-u-lox-swappable-bps-clip/ https://nationalmolding.com/product/mod-u-lox-pouch-attachment-system/ https://www.textilesleon.com/producto/duraflex-sistema-de-fijacion-de-bolsa-mod-u-lox/

I sent my TRX 900 Stereoline transmitter in to Zaxcom for servicing last year. Owned new since 2006. They replaced the worn out rubber keypad and put a new lens on the display. Zaxcom also updated the firmware/software. Great job by the technician. So I believe that there are unadvertised updates to Zaxcom legacy products.

Thanks Larry! This was all I could find on Shure's site: https://service.shure.com/s/article/pin-out-for-shure-bodypack-transmitters-and-preamps-ta4m-ta4f?language=en_US&region=en-US Towards the bottom is what I had cut/paste and can confirm by opening up the connector it is wired this way on the PGA98H. I wired shield to P1/Strain, red to P3, black to P5 and get a clean signal(not case tested on instrument). But if P2 to P4 gives me more headroom then I would prefer that. Wiring brass instruments marching so mics peak at 130db don't want to sacrifice any of that. If it doesn't matter it'll save us time since we are doing 16 mics total!

I couldn't find a schematic for the mic, even on the Shure site. Wiring 2 jumped to 4 will increase the pin 3 bias to 5 Volts equivalent, which might give you more headroom. I am kind of in the dark without a schematic. LEF

Reviving an old thread! Rewiring Shure instrument mics (PGA98H) for SMQV/SMDWBs, removing TA4F replacing with TA5F. Shure currently wired for condensor: - audio lead (black) to pins 3 and 4 - bias lead (red) to pin 2 - shield to pin 1 and connector body (use cable clamp insert piece as the connector body terminal) If I follow Larry's instructions and I only go to #3 and skip #4, that gives me universal wiring instead of servo?

Hey! I have been looking for them too, but I haven't had any luck finding them anywhere, what store do you get them from?

From the Lectrosonics FAQ section under Support: The Sanken CUB-01 boundary mic does not seem to have the usual FET output stage and also seems to have a large capacitor across the power supply lead (bias lead). This means that it can’t be wired as the usual three wire microphone with the SM. The wiring below seems to work well and is fully compatible with our other transmitters. Our pin 1 to Sanken shield (ground). Our pin 2 to Sanken black wire (5 Volt power). Our pin 3 to a 511 Ohm resistor and the other end to Sanken white wire (audio). This matches well to our 300 Ohm input input while providing a satisfactory 811 Ohms to the Sanken mic. Our pins 4 and 5 no connections.

Hi all, I’m planning another early morning birdsong recording session – this time near the Kabli Bird Station in Häädemeeste, Kabli. It’s a beautiful spot right by the coast, known for its bird migration studies. I'll be bringing my trusty Sound Devices MixPre-6 II recorder, and fingers crossed the birds will be active and cooperative! The plan is to record from around 3:00 AM to 5:00 AM, just before sunrise. We'll see how it goes! The session is scheduled for the first weekend of May (night of May 3rd into the early hours of May 4th). Here’s a bit more about the location: https://visitestonia.com/en/kabli-bird-centre-1

sanken boundary mic (CUB-01) + SMDWB Transmitter I'm going to use it like this Do I need a 1K resistor when working with TA5F Lectro Sonic

That's great, thanks very much Roland

Has anyone compared the “mic mic” of the 8018 to the 8060 yet? Would they match in a couple boom situation?

I would call Zaxcom and ask since your so close to them in NJ I would drive over and have them update.

Hi Paul, Sure: it's just a Bambu Lab A1 mini. All of £169 at present! Cheers, Roland

Unless it states it in the new firmware notes that you're current firmware is too old then you're fine, otherwise yes you'd need to send it in to Zaxcom.