Equipment
Board provided for discussions about equipment
9,549 topics in this forum
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- 2 followers
- 4 replies
- 75 views
I have a perplexing problem with a recording I made last night on my Sound Devices 664. Today, I got a note from post that my audio file cut off before the end of the program. I recorded to both the CF and SD cards. I had given my SD to the DIT at the end of the night, so I checked that one first. The editor was correct. On the SD card the program stopped abruptly. When I compared it to the CF card, thankfully it had recorded the entire program (to the point where I actually cut). Comparing the cards, the SD mysteriously stopped recording 21 seconds before I pressed stop. I called Sound Devices, but they did not offer a satisfying explanation as to how this might …
Last reply by The Documentary Sound Guy, -
- 3 followers
- 60 replies
- 2.9k views
I will start by saying I'm not a professional, and probably won't ever be a professional. That said, I do a fair amount of remote recording, and am looking to upgrade my recorder. I'm currently using a sound devices 552 preamp and recording using a zoom f6, but I'm exploring upgrading to a new (to me) Nagra VI, AETA 4MINX, Sonosax R4+, or Zaxcom Nova 2. This seems like the place with the most members with experience with most of these recorders, so I was looking for opinions. I was pretty set on the 4MINX, but some of the posts on here talk about distortion, so I was wondering how common that might be? My microphones are DPA 4015s and 4018s, and I'll probably a…
Last reply by Jim Rillie, -
- 2 followers
- 22 replies
- 951 views
Hello, Does anybody here have experience with the Schoeps MSTC 74 for stereo recording interiors and outside? I'm a journalist (podcast & print) but not an audio pro by any stretch. I'm experimenting with stereo techniques for ambience/reportage background recording and the possibility to create immersive audio for podcasts. I tried binaural, Double MS, MS, XY and ORTF and found ORTF the most acoustically pleasing to my ears. It's also super simple with no wide/narrow options to choose from in the mix afterwards. The MSTC seems simple and user-friendly because of its fixed angle and single cable. That's great for handling and tra…
Last reply by petersont, -
- 40 followers
- 1.8k replies
- 533.8k views
Inspired by the "View from the office" thread, i am pretty curious as to what bags people haul around, and what gear is in it. So, this threads purpose is pretty simple. Show me your bag, give a little description of what it contains, and what type of gigs you normally do. My "bag": The thing is, i have no bag yet. No cart either. So what you see, is what i have, the rest is rented for every gig. Gear list: Sound Devices 442 Sennheiser G3 kit Røde Lavalier Røde NTG-3 AKG K-271
Last reply by fieldsound, -
- 1 follower
- 3 replies
- 1.3k views
Hello everyone! My CL-WiFi doesn't work anymore and fixing it is more expensive than buying the Ambient Beetle. Does anyone use the Beetle with a 788t and can share his user experience? Does it work well? Is the Tonmeister app comparable to the CL-WiFi app, when it comes to changing track/take names, metadata...? Thanks in advance Manuel
Last reply by johngooch, -
- 1 follower
- 4 replies
- 325 views
I've been looking for a keyboard for the Nova that I could use in my sound bag since I had a Nomad, but I could never find a keyboard that was small enough. I found one ... but it was bluetooth-only, so I decided to add bluetooth to my Nova. It worked ... mostly. https://documentarysoundguy.ca/a-bluetooth-keyboard-for-the-zaxcom-nova/
Last reply by The Documentary Sound Guy, -
- 1 follower
- 2 replies
- 214 views
I did a 2x mic stereo 743 car to car rig that worked great in practice but had some squirrelly reception issues to work around. I was able to rig a sharfin antenna to the 743 and transmission was awesome. Curious if anyone here might have run into this as it seems not to be as cut n dry as it should be. 2x 414 modules in my nova. I noticed when setting a 414 module to stereo mode in my nova i had to reboot and follow a weird sequence in order to get it to work and also for a secondary wireless to work in the same module. 414 no1 - rx1 n rx2 all set to zhd96 and all 4x ch receivers show green = good reception 414 no2 - rx3 set to stereo and rx4 set to…
Last reply by osa, -
- 1 follower
- 14 replies
- 651 views
I’m not an expert on this topic, and I see a lot of props for Betso Bowties so this is in no way trying to undercut those who use them successfully. But can someone explain to me in layman the difference? I’m sure there are high level variations, but the details as it would apply to real life performance. If the bowties are in essense multiple omni dipoles in a compact configuration how would that differ greatly from a 1/2 wave wideband whip antenna? Both are omni, both can cover our usable frequencies, etc. Any feedback from experts appreciated?
Last reply by borjam, -
Hey all, I’m currently on the hunt for a 2nd set of Lectrosonics UCR411A + UM400. I already have one set in Block 21, as well as a Sennheiser EW DP Camera Hop which operates in 470-526 mHz range. So my question is this — which Block would be be best for a second set of Lectrosonics, that won’t interfere with these other two wireless sets? Or am I thinking about this two much? I’d also like to avoid the illegal US blocks I was under the impression that it’s best for each wireless unit to live in a different block/range, as to avoid any potential interference. But please correct me if I’m wrong. A…
Last reply by D Clay Audio, -
- 1 reply
- 184 views
Hi All, I'm using MKE1 lavs wired with pin 1 shield, pin 3 audio, and pins 4 and 2 tied together into SMQV transmitters. From time to time we are experiencing a sudden and inexplicably low clip point which makes the mic unusable - we call it the kazoo effect. Once the mic starts behaving this way, low audio levels sound totally normal but at a seemingly random and changing SPL threshold -- distortion on a wide band of frequencies will occur. This phenomenon occurs across many different MKE1 mics and SMQV transmitters. Sometimes the problem goes away and comes back, it has been difficult to troubleshoot or find consistent patterns so we don't know if it's a universal prob…
Last reply by The Documentary Sound Guy, -
Need some tech advice! Pop and hiss on DPA 40/6061! For reference I am using a lectrosonics SMA and SM tx going to a UCR 411a. The LAV mics are a DPA 40/6061 wired for Ta5F. I use a 1k ohm resistor in the wiring as I do them myself to save some $$ and the 3k-4k makes them just a bit to soft for standard speaking. The client we worked with today had a habit of cupping their hands and putting them to her chest. Whenever this happens a loud pop occurs, and then the audio becomes full of hiss. I can unplug the mic, then plug it back in or turn off the tx and it would sound fine after. But has damaged occurred to my DPA lavs at this point? It sounds like they were ove…
Last reply by Izen Ears, -
- 1 follower
- 11 replies
- 483 views
Hey all -- I have been wanting a DPA 4560 binaural headset mic for some time, but I can't really justify the $1500+ cost right now (headset, plus microdot adapters). So my idea is this: I do already own a pair of DPA 4060's. If I can rig up one of the DPA Dual Headset Mounts, so that I can attach and orientate my 4060's, it should effectively be the same thing, right? Sure, it won't be as elegant, but it'll get the job done just fine. I've thought about using some wire similar to Ursa wire rigs, and wrapping it around the earpieces -- so that I can run the mic cables along the wires, …
Last reply by D Clay Audio, -
- 3 replies
- 292 views
Did a recording last night of several people speaking at a celebration of life event. I used my zaxcom maxx recorder with freshly formatted media. This morning i went to download the card and could not get it to read on my computer. I tried the card back inside the machine and could no longer mount it. Tried several card readers, no luck. Panic ensued as this was an extremely important recording for our family to preserve. Come to find out - the card reader I had used had a pin in the middle of the top row that had bent and combined to the pin below forcing both pins into the bottom row hole of the card. I tried even a tiny strand of copper inserted into the hole and then…
Last reply by DJ MMF, -
- 2 replies
- 319 views
My icon platform has died and I’m looking for a replacement. I remember someone talking about the V1 pro and it might be useable as a controller in the near future….. I can’t find the thread now and was wondering if it was a possibility or whether those plans were dead… what else is there?…. The platform fits perfectly in my rastorder cart ….. The waves fit will fit within the frame by 5 mil After last years strikes i don’t have funds for a cl16 . Any other contenders?
Last reply by nevo, -
- 2 followers
- 9 replies
- 814 views
I’m curious who has picked up one of the RAD mounts from Radius and what do you think of it? Haven’t seen a lot of discussion about them other than the business side of things which I’m aware of. I’d like to hear from people who have used the new RAD mounts out in the field. I’m a Cinela fan but have also gone with the much cheaper invision mounts for certain mics and have been happy (MKH50 for example which is more forgiving). While I like Cinela mounts for their well thought out features and perfect match approach they are very pricey and I find their full blimp to be kind of heavy and fiddly. It’s great at its job but I sometimes find myself preferr…
Last reply by POLYSOUND, -
- 1 follower
- 3 replies
- 201 views
I just came into a couple invisity flex receivers in the 195-202 band. What transmitters are available that can operate in this band that will provide the best range and performance? I'm aware of the T4 at 50mw. There's also an older phonak transmitter I know little about, and then there's the older lectro "M" series. Any others I should be aware of? Or any to avoid? I'm curious what will give me the best overall performance and what antennas people recommend that aren't too huge/impractical.
Last reply by OB1, -
- 4 followers
- 10 replies
- 529 views
Hello people, A while back I posted about the hardwired CL-Wifi that I made that works much better than the wireless one, and people seemed to like the idea but it was pretty hacky. In setting up an ethernet network on my cart, I realized that the IP address of the CL-Wifi is hardcoded into the app, so I couldn't get it to reliably be a part of my cart's network. I wanted to see if I could write a Windows Forms app that controlled the 788T via the C. Link port, and in the process discovered that all of this can be done over a hardline on the 788's usb port. I've been able to successfully send commands to it and get responses from it using nothi…
Last reply by codyman, -
- 1 follower
- 5 replies
- 672 views
Hello all, as some of you might know, Zoom released a new updated version of ZoomH6. Im gonna cut this short, which one should i prefer buying for my filmmaking and sound recording journey? Would the 400 dollar difference really makes a difference? F6 can record on 32 bit- 192 kHz. and new ZOOM H6 Essential can do 32 bit- 96kHZ And i ASSUME the preamps of the F6 is still be quiter and cleaner in compare to be 2024 released ZoomH6 Essential? Or not? 🎶❔ So i would get a better sound with my shotgun microphones on set with F6? I wish i had a chance to try them both with my kit, but it is almost impossible to do that here right now. …
Last reply by The Documentary Sound Guy, -
I’ve been on a mic acquisition kick lately, and I’ve ended up with too many shotgun mics, so I need to figure out which ones I want to keep as my workhorses. To help me choose, I decided to test to them all under controlled circumstances and see what I could learn. I wrote way more than I intended, so instead of posting the whole thing here, I put it in a post on my website. And for those who don't want to read an 11-page review (I don't blame you), here's my last-paragraph-first summary: https://documentarysoundguy.ca/the-shotgun-shootout-schoeps-cmit-supercmit-sanken-cs-3e-sennheiser-mkh-60/ Enjoy, and happy listening!
Last reply by The Documentary Sound Guy, -
- 6 followers
- 33 replies
- 3k views
Does anyone else think this would be a killer cart mixer? 22 mixable channels at 96kHz (16 pre-amps, 8 outs) 18 x 18 USB interface 16 x 16 Dante interface 2 x 2 recording directly to a USB drive A DAW remote mode with transport control and custom control via OSC, USB-MIDI https://www.sweetwater.com/insync/yamaha-dm3s-22-channel-digital-mixer-overview/
Last reply by ramallo, -
- 2 followers
- 117 replies
- 23.8k views
Hi guys, This is my first post here, Ive been using reel to reel more than 10 years and I really love them, I always wanted a Nagra deck but prices are crazy this days, finally find a Nagra III, as description its working but no more info, I just wanted to do some simple music recordings, I know is mono but its all visual to me, no experience with the banana connections and would like to adapt some type of power supply, this beauty works on 12 D batteries. I wanted to learn as much as possible from you guys, and try to find a nice top cover, mine has some cracks, please feel free to give some advice where to start. Regards, …
Last reply by DHB, -
- 3 followers
- 4 replies
- 563 views
Yea yea I know they stole. But everybody else in business steals including the usual bag manufacturers so … I know I am going to get a lot of hate but as you all might have found out already I don’t give a F@ck. This is just information. Proaim made a bag. Still old school heavy design and made of polyester but a cheaper version. Price is $167
Last reply by Alejandro Reyes, -
- 1 follower
- 1 reply
- 261 views
Anyone here applied a plug-on for this use case? How effective is it in range? In fear of answering my own question, I think most of us have netted good results in range when a plug-on is at the end of a boom. But I've read that a mic helps to create the dipole configuration between the case and the coupler. So when there's an xlr cable on the coupler instead of a mic, the cable is now part of the antenna(?) and would be best to point the coupler straight down (or up) with the cable hanging down the mast? Am I understanding the design correctly? Ideally I would rather use a SM with an SNA, but I'm hoping to keep the budget on this 2nd bag to a mini…
Last reply by Matthew Steel, -
- 3 followers
- 8 replies
- 538 views
Hey everyone, was wondering if anyone has any strategies or go-to ways to deal with the excess cable of a flow-thru XLR. I'm loving working with it, and the flow-thru mitigates a lot of the internal handling noise, but I have yet to find a convenient way to handle the excess slack. I've instead been using my smaller external boom pole for shots that would create more flow-thru cable slack, but it would be nice to have a method to manage it if I don't have time for a boom pole change or I'm running with a smaller kit.
Last reply by fmurdoch, -
- 3 followers
- 19 replies
- 2.1k views
I’m having a tough time settling on a configuration for an archival field recording project. Some context: currently my only recording gear is a D100 and a pair of LOM Usis. Use case: recording ambiences for an acoustic ecology project (and, as a secondary, as textures and samples for musique concrete compositions). I’ve been going over and over ORTF vs M/S and I think I’ve decided on the former. Budget is capped at $5000. Right now I’m considering: 2x MKH8040, Cinela Albert, and a Mixpre 2 but reading about handling problems and general gripes about the 8040s has me a bit concerned. Renting in my area isn’t really an option. …
Last reply by Vincent R.,