Equipment
Board provided for discussions about equipment
9,610 topics in this forum
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- 2 followers
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Contacted Sennheiser for noise problem of the MZX8000 that comes with one of my MKH8040s that I purchased in mid-2022. After two months of waiting, I got back from Sennheiser claiming that MZX8000 "has been obsolete and non-serviceable" and encouraging me to buy a new one, an obsolete product that's no longer serviceable by them. It's not only ridiculous but a crime, considering they've just launched MKH8030 this year, which, like all the MKH8000 mics, also comes with a MZX8000 adaptor. This irresponsible service will stop me from purchasing any Sennheiser mics, and I strongly suggest any potential MKH8000 buyers to think twice before you jump in.
Last reply by Tong0615, -
- 5 replies
- 135 views
I'm looking to buy four to six more lavs for corp and doc work. These will likely be submersed in salt water, subjected to heavy smoke, and possible stolen. Though mostly just used as everyday lavs. Sure, I care about audio quality, but I'm not thinking DPA right now. I own and am familiar with Countryman B3 and Sanken COS-11 lavs (as well as several others). I know of some of the options. But I'm looking for hands-on and ears-on experiences. What others have people here used in the US$150-$300 or so range and been happy...or at least satisfied...with?
Last reply by IronFilm, -
- 2 followers
- 8 replies
- 228 views
https://www.techeblog.com/thumpy-headphones/
Last reply by Wandering Ear, -
- 3 replies
- 314 views
Hi, Please excuse my possibly silly question: I have here a Sonosax M2D2 and a Sony Alpha 7CII. Is there a way to connect the M2D2 digitally via the MIShoe? Are there other possibilities for digital audio integration? Greetings from Switzerland Erich
Last reply by Patrick Tresch, -
- 1 follower
- 1 reply
- 268 views
Hello, after some research here I found out that some users have mentioned this capsule as on their list of wanna try it but no one never actually gave a report about it. Has anyone actually used - or is using- this capsule on a boom on set? Or even as planted mike? I was going to buy another MK4 but I am thinking of this one instead. (Apart from my stereo sets) I use the MK4 most of the time for planted mike but it happens often that I take it out for boom in interior as well, rather than the MK41 when the voice is too harsh or for fast dialogue exchange for example. I would love to have feedback on how does the MK22 play on boom? Thanks
Last reply by OB1, -
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- 172 views
Wondering if anyone has the 3D printer file for the clip for an AS-122? They used to have it on their website and I don't see it any more. The new units come with a new steel belt clip included but I can't find one anywhere so far as a separate item, and the usual suspects don't see part numbers for it.
Last reply by Mack, -
- 2 followers
- 4 replies
- 1.5k views
What lavs are people using for TV news these days? Mostly interested in network/national news outlets. Thanks!
Last reply by Tim Norris, -
- 2 followers
- 10 replies
- 1.6k views
I’m curious who has picked up one of the RAD mounts from Radius and what do you think of it? Haven’t seen a lot of discussion about them other than the business side of things which I’m aware of. I’d like to hear from people who have used the new RAD mounts out in the field. I’m a Cinela fan but have also gone with the much cheaper invision mounts for certain mics and have been happy (MKH50 for example which is more forgiving). While I like Cinela mounts for their well thought out features and perfect match approach they are very pricey and I find their full blimp to be kind of heavy and fiddly. It’s great at its job but I sometimes find myself preferr…
Last reply by sfxdude, -
- 5 followers
- 27 replies
- 2.7k views
Hello Community... I would be very interested to know what Headphones you give to the Director and to the Video Village 🙂
Last reply by Fred Salles, -
- 1 follower
- 23 replies
- 2.6k views
Hi all Every now and again when a job comes up that needs it I get exasperated that my SMWBs cannot transmit and record at the same time. Obviously this has been going on a long time and I know why it is but I wondered has anyone heard whether Lectro have the capability, once the patent has ended, to flick a switch that will allow the SMWBs to do this? I do also wonder why I can do this already with my A10 but not Lectros. I'm based in Europe which must be why Audio Ltd has avoided the patent, but I guess Lectro have never found a way to do this outside of the US...
Last reply by Patrick Tresch, -
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- 12 replies
- 1.1k views
[That's a quote from Olle in this thread. I'm replying in this new thread because I'd love to read people's experiences and thoughts on this approach -- Jim] Olle, I might be misreading your thought, but I too think a belt might work since for me (my bags are small (633, a few RX, a TX, etc...maybe something smaller soon). Two belts I know of: K-Tek KSWB1 – Stingray Waist Belt https://ktekpro.com/product/kswb1-stingray-waist-belt/ ORCA OR-370 Advanced Audio Waist Belt https://www.orcabags.com/product/or-370-advanced-audio-waist-belt/ Who here has used belts with bags? How big a bag worked...and what size was …
Last reply by Wandering Ear, -
- 36 followers
- 1.8k replies
- 553.2k views
Inspired by the "View from the office" thread, i am pretty curious as to what bags people haul around, and what gear is in it. So, this threads purpose is pretty simple. Show me your bag, give a little description of what it contains, and what type of gigs you normally do. My "bag": The thing is, i have no bag yet. No cart either. So what you see, is what i have, the rest is rented for every gig. Gear list: Sound Devices 442 Sennheiser G3 kit Røde Lavalier Røde NTG-3 AKG K-271
Last reply by fieldsound, -
- 1 follower
- 6 replies
- 972 views
I saw this ad on instagram today and it looks exactly like a re-badged Rycote Super Shield blimp. Is Rycote licensing their designs or was this particular blimp an OEM product to begin with?
Last reply by Daniel McIntosh, -
- 9 followers
- 90 replies
- 28.7k views
I have been using whips with my Zaxcom Qrx100s and Mic Plexer 2 and want better range and am interested in getting some Dipole antennas ( any specific recommends?). I Know this has been covered before (I'm having a little trouble finding exactly what I'm looking for) but before I buy them just wanting to ask if anyone has any tips and or pictures of how they've had success and how they mount them to their harness or get them out of the bag as I mainly do bag work.
Last reply by renaud82, -
- 6 followers
- 68 replies
- 8.1k views
I would like to hear from any members who have worked with or have experience with the Sound Devices Nexus.
Last reply by IronFilm, -
- 3 followers
- 17 replies
- 1.1k views
I’m currently changing up my 80/20 cart design and thinking of swapping out my steel rack rails for aluminum. This would be a huge weight savings. I see that Star Case sells some. Curious if these hold up well or if anyone has had experience with aluminum rack rails. My worry is if there’s susceptibility to bending, especially heavy items that are all on 1U like my a10 rack.
Last reply by tourtelot, -
- 2 followers
- 7 replies
- 2.1k views
Has anyone tried charging SWIT S-8073N NP-1 batteries on the IDX JL-2Plus charger? These batteries offer higher capacity, 2 d-taps, and are cheaper than the traditional IDX NP-1's.
Last reply by Ed Denton, -
- 1 follower
- 11 replies
- 746 views
My beloved Loon took just the right hit today to snap the spud. Had since 2008 and it is wild to see it last this long. Curious if anyone knows if parts still exist somewhere or if another brand is a worthy replacement? I have some various brands of boom poles. I can try spuds when I get home.
Last reply by osa, -
- 1 follower
- 4 replies
- 377 views
Hi, I'll be working with G4 receivers this weekend which aren't mine. I still have those old beaten'up G2s in my kit but from memory, the receiver cable pinout changed from the G3 and up. Since I don't have the G4 cable with me and want to make 2 cables as spares for if something goes wrong, I'd just like to confirm the pinout for the G4 models if someone has it. The documentation about these cables for G4s is worse than ever. Thanks ! ... would be : tip to XLR2 and ring plus sleeve altogether to XLR1&3 ?
Last reply by r.paterson, -
- 5 followers
- 142 replies
- 19.7k views
I'm excited to try some. Here's the Facebook convo.. https://m.facebook.com/photo.php?fbid=10153654388105893&id=613825892&set=gm.10156859846905543&source=57
Last reply by Boomboom, -
- 1 follower
- 5 replies
- 1.1k views
Hey everyone, I post more on the Facebook audio pages but wanted to show off the products I have been designing for audio equipment. I have designed cases for lockit boxes, tx, rxs, bumpers for slates, sunshades for the Sound Devices 6 and 8 series and battery caps for smart batteries. It's been a fun process learning how to create cases for our industry.
Last reply by fionally, -
- 2 followers
- 12 replies
- 5.2k views
Anyone tried Betsy's new slates yet? How they compare to ambient and denecke? Thoughts? Sent from my iPhone using Tapatalk
Last reply by chinpou, -
- 6 followers
- 85 replies
- 24.3k views
Greetings Legends of Sound, Does anyone have any real world experience of the Sony digital radio mic system? I'm interested in the portable dual rx and belt pack tx's - I hate the old Sony systems but have been told the new stuff is impressive. Any one used it in anger? ? Range? Battery life? Remote control ? Sound quality?? Rf stability...?
Last reply by resonate, -
- 3 followers
- 14 replies
- 1.6k views
Hello everyone, I create watercolour painting tutorials and need some microphone advice. My studio is next to a busy road and has a tin roof, which makes it challenging to record quality audio The quiet moments of my brush on canvas are crucial, but the road noise and the sound of rain on the tin roof often interfere. Current Setup: • Microphone: I currently use a lavalier microphone. It’s great for capturing my voice but unfortunately picks up a lot of low ambient noise from the road and rain. Challenge: • I need a microphone that can clearly capture the soft sounds of painting while minimizing…
Last reply by mono, -
- 1 follower
- 4 replies
- 811 views
I'm getting back into doing live news and will be buying a few Sony ECM-77B lav mics. For somewhat windy outdoor locations, does anyone have any recommendations for windscreens to pick up? Is the included metal windscreen good enough? How about the foam windscreens that Sony sells? Thanks!
Last reply by nyphotog,
