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No_MOS

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About No_MOS

  • Birthday 01/01/1

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  • Location
    Chicago
  1. Just saw it and it was great. Jeff I gotta' say the old man is unbelievably cool. You're a lucky guy. I work in Chicago an we are typically on a 10 hour day for docs, reality, commercials, etc. Overtime is welcome because it's still the exception not the rule. But when producers call from CA they often ask for 12 hour days, and depending on how busy it is I try to avoid them at all costs. The one problem that we do have however is eating regularly. It seems that many of the producers that I work with think of a production day as a field trip away from the office. It's OK if we skip lunch isn't it? It's easy for them because they don't do it that often. What they fail to realize is that the field is our office, this is where we work every day. Anyway loved the film and anything we can do in Chicago to help let us know. Ken
  2. Well here we go again, I'm doing a shoot Friday with the RED (Build 17, not sure of the version), and the client wants to record the 4 direct outs from my 442 to the line in's of the RED. Obviously I'm trying to discourage him but he doesn't want to mess with separate audio files in post. So the questions are: 1) Can the RED now be trusted to record quality audio tracks? 2) If I can record audio on my 744T, what is the best way to sync the 744T and the RED? 3) Do I still need to use the attenuator/impedance matching cable SD recommends? Any thoughts would be greatly appreciated. Ken Dabek West End Recording
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