Phil

By buying and trying a G4 plug-on I found out, that it does support the MMP-C preamp, opposed to the G2 version.

Checking the voltage makes sense, I'll try that. 👍🏻 Just have to borrow a volt meter. A friend of mine also confirmed, that his C and B preamps work fine with his ZMT4s.

SOLVED: Fellow sound people, Has anyone successfully used a DPA MMP-C preamp with an SKP 500 plug-on transmitter? I have a G2 version on loan and am only getting serious noise, but no actual signal through. I’m guessing it has something to do with the power supply. The B-preamp works fine on the plug-on and the C works fine on other ph48 sources. It really seems to be the combination of MMP-C and SKP 500, which isn’t working. I’m curious, if a G4 might work better than the G2 I tested with. Any input is appreciated! Thx!

Oh, ok. Thank you, that’s valuable advice!

Ok, thanks! That’s very interesting! You also mentioned the Sony UWP-D system, which I also looked into. Would you say they are a viable alternative to the MPR52 if I actually just need something more stable and less prone to RF hits than the Sennheiser G3/G4 and not all of the hi end features of the Wisycoms?

Thx a lot! Your first hand account is exactly the kind of feedback that I was hoping for!

Hello everyone! I hope I'm not starting a redundant thread here, but I haven't found one on this specific question yet: Do any of you have first hand experience with comparing the two different diversity systems directly? I know how their respective principals work but I'm still not sure if antenna diversity is "good enough" for my intended use in a production sound bag, or if I should make true diversity a priority for wireless mics on talent. Just to be specific: I'm trying to decide if I should get a Wisycom MPR 52 Bundle or the MCR 42. Thx! Philip