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Found 2 results

  1. Intro Hi guys, tuning into this awesome forum for some of the usual life-saving help. So I just finished production mixing for my second feature length movie. Landed doing the audio post which will be a first(except mix). A daunting task at the least, but living in the Dominican Republic, people dont really have a miriad of options, eventhough I am fairly inexperienced in the film world, I have been doing commercials and documentary work for over 7 years. Anyways I digress. While i was doing the production audio for this movie, I made it a point to have my recorder jammed from the Panasonic HD Varicam any chance I would get. (since i was running a hardwired mix to camera 85% of the time, it was pretty easy to just have a second TC cable). It was easier to jam my 744t from the camera bc this way I dont have to fidget with the camera. The camera was set to free run and we used time of day. I did this with the belief that I would be saving the production the trouble of manually syncing my audio with the dailies. Is this correct? I did not use a TC slate or lockits, but was constantly jamming my 744t from the Varicam. Isn't there a way for FCP to read the timecode of audio files and video files and automatically line them up? I would think there is, is there something im missing here? The video editor hasn't a clue to what im talking about. Step by step would be awesome I'd appreciate some input on this... Thanks in advance guys!!!
  2. If this has already been posted remove this post... I just solved a mysterious error with 788t files that could not be imported in Final Cut Pro by installing the new 1.16 version of Wave Agent from Sound Devices... Read more here and install 1.16: http://www.sounddevi...os-and-windows/
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