Jump to content

Search the Community

Showing results for tags 'greensleeve'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Main Board
    • Current
    • The Daily Journal
    • General Discussion
    • Equipment
    • Cameras... love them, hate them
    • Recording Direct to Computer
    • Workflow
    • The Post Place
    • Images of Interest
    • Macs... and the other computer
    • All Things Apple
    • Technical Reference
    • Do It Yourself
    • Manufacturers & Dealers
    • Work Available - Available for Work
    • Post to the Host
  • JWSOUND RESOURCE
    • Donate to Support JWSOUNDGROUP

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Location


Interests


About

Found 2 results

  1. I chat to Simon Hayes about Greensleeve, an answer to multiple booms on sets with a green sleeve that allows the boom to be closer without the worry of foreground actors and physical props.
  2. All the recent talk about the Greensleeve and green screens is interesting and got me thinking. (I've never worked on a set with a green screen). My question is, if a scene is being shot green screen inside a studio, and they're showing it as a marrakech market or the middle of the ocean or something, won't the production audio still have the tone and reverb and sonic characteristic caused by the acoustics of the studio? Isn't that a giveaway? Or is that so quiet and insignificant that it will be masked by the sound effects and ambience that'll be added to the scene? Thanks!
×
×
  • Create New...