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  1. Hello on set today yet another debate about the naming of the slate for pick-up takes... Not the first nor the last I am pretty sure, especially when working with newcomers continuity person. There seems to be 2 schools of thought: The ones who name it scene/shot/take pickup (like scene 100 shot 2 take 3 pickup after a 100/02/T03 take. Then onward 100/02/ take 4 pickup...). The other ones -including myself - who prefers to name it scene/shot/pickup/take (starting from take 1) as the point is to do a pickup of the shot, not of the take, so take number of the pickup can start from 1 (So scene 100 shot 2 pickup take 01) and increments normally if needed. As Sound Devices recorders do not allow to name take but only scenes I always try to push towards this last way and most continuity persons agree. But there is often a debate about it. So my file would be named 100-02pu-T01.wav Choosing the 100-02-T03pu way is putting me in the obligation of putting in the notes the way the slate was named which is frustrating and time consuming, but also does not make sense imho. What are your ways and opinions about it ?
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