I can't tell it of course. But from my experience as a sound recordist I can guess where the CS-3e was used with its killer focus but a bit thin sound or a 416 with a sharp and shrilling top end or a meaty mid range Schoeps mics or almost rumbling with its proximity effect MKH50 (with no low cut) or a dynasty of the DPA mics.
But again, I could be wrong in more than 50% because the sound I hear depends of many acoustic factors as well as on the recordist and the boom operator abilities to handle the situation. We all know how long is the way in order to bring a usable sound. So when I am lucky enough to work with the great recording in every aspect, the last question I ask myself is what mic its been recorded with. I just know that it wasn't possible without an experienced recordist using proper mics.