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Found 2 results

  1. Hello all :-) I have an upcoming shoot that will take place at the beach near the sea. The director probably wants it close to the water, the actors will go into the water at the end (we will probably cut and get rid of wires for that shot). I am wondering which microphones would be best to achieve the smoothest consistent background. I have Kmr81 mics, MK41, RSM 191, 416, and Cos11 and 4060 lavs. I never shot near a sea before, just recorded the ambiences and feel the sea ambience is very hard to get right... Obviously, I will try to steer the location as far from the water if not visible in the shot as possible. What are your thoughts? Any tips for working thru that? Thanks! Bartosz
  2. So i'm going on a shooting next month on the Mediterranean sea. Half of the film will take place on a very small boat on the sea (big enough to fit up to 4 people so you imagine a bit better what i'm talking about), the other half on a small island (might as well call it a big rock) and we'll be shooting always next to the water. Since it will be February it could be very windy, have a few waves and the air is filled with salt that goes everywhere. My question is what would be the best protection i could get for my gear. I will have my Orca OR30 with my 633 and 2 UCR411 and a boom. I will also have my Pelicase to store the rest of my equipment but i need something for my bag. I've seen the K-Tek rain bib and it looks nice but i'm wondering if it will fit with my petrol bag harness (PS 605). Anyone have a better idea? Another product? A DIY solution? Thanks! Ben
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