resonate

does it allow for track name changes after or during the recording?

Sure, i just cannot see that it's an easy thing to implement - the whole metadata screen have to be redesigned. Would sure be cool, along with wireless audition and re-record, about which i have seen Glenn Sanders's post on facebook that is "coming next"

How would editing track names work? you mean editing the track names _during_ a take? Otherwise, why would track name editing be necessary after recording, and how would you do that? 1) Now, what would be great is when at the playback, the track names reflected their metadata - recorded names. 2) Another +1 for Outputs assigning when in playback

Also interested in this comparison. How is the limiter sounding on new wisycom units? I remember reading here that their early units's limiters were not that good, and on the wisycoms site it says that the transmitters have new "HW" (as in hardware, i guess?) limiter.

No Automixer? Also surprised that no high sample rate is available. With a dedicated record & mixing DSPs, one would think that should not be a problem. Timecode accuracy in a box that expensive should be higher, too. I suppose it's okay if it's the same as Nomad's, but i usually use Tentacle sync to feed both camera and Nomad, so I wouldn't know, really. One frame out after 6 hours could be noticeable for sure when doing a long documentary day, for example. Also, hope the detachable front panel works really well, that's such a great idea.

how do you deal with audio latency? 19ms is a lot....

Those sound great. So they are really two SAAM mics (in the file metadata the second pair was marked as 8040 pair). Do they go to the mixpre line level in or are you using some preamplification from SD box, too? Thanks again. You could align the second microphone to the first by using AutoAlign plugin from SoundRadix, maybe? It works great.

Stuart, the demos on the site sound amazing. Do you have some other ambience samples, like rain or some other ambiences we would normally use in movies? I'm Very interested.....

thank you Alberto.

Typically, the splitter does not amplify anything. the added gain just compensates for the loss, so you may say, it brings the noise floor up. did you see the specs? the gain is 0. the noise figure is low. Should be okay. Specifications Bandwidth 470MHz-800MHz Gain 0dB (+/- 1dB) Noise figure 1,5 dB OIP3 30dBm Isolation between outputs min 15 dB RF inputs 1xBNC 50 ohms DC feed 12V/200mA RF outputs 2 x 6 SMA 50 ohms Current 150 mA without active antennas Supply HRS4, 12-17V Dimensions 88 x 84 x 44mm Weight 265g

Hi All, on a recent sfx shoot I've been using Sennheiser 8060 along with RSM 191 (both plugged into Zaxcom Nomad) , and experienced this weird noises from the Sennheiser mic. Any idea what caused it? It has gone away after a short while... sennheiser noise sample.mp3

Jon, that is very interesting! Please do tell more!

Hit up tanky@micronwireless.co.uk with that question (HAT) ;-)

the duck in his pocket is probably a plant mic.

The loss is usually the s/n ratio, as most M/S single-tube microphones have better s/n ratio at the center capsule than the side one.