resonate

Remember to reset to factory settings when changing firmware, as i know from experience that not doing that w/Nomad can cause all sorts of buggy behavior. Also, do not restore settings from Nomad memory presets or cards saved with earlier version of the firmware. Always rebuild your setup with new firmware.

TwistedWave for Mac can do batch resampling very well, and is also a very capable editor. There is also an online version.

Blackmagic Ursa mini pro 4.6 Aes inputs work just fine with Zaxcom Nomad. The only Zaxcom thing is, Nomad AES outputs are inverted in polarity when compared to analog outputs and card tracks. Howard Stark said it's a hardware limitation. You can invert any signal(individually) that gets routed to Output busses, except automix - then everything that goes thru out buses gets inverted, naturally so, if you're recording your outputs as a mix track, that gets inverted too. You cannot invert polarity of the output sum at the card track matrix.

Mine did that some year in the spring when i was working in humid environment. Just take it apart and clean it.

I see. Sorry for being harsh. But it seems like, it will have to go to some service...

Agree! This is why i have no pleasure browsing facebook “pro audio” groups most of the time. So many entitled, ignorant attitudes , they didn’t even care to read the manual, etc... Senator Mike was vocal on that issues, and he along with some other guys here brought this forum to the level of expertise we all enjoy, and should cultivate.

Bonus question : anybody using the wireless adapter for Touch? BlueTouch is the name. Please post your experiences

You should contact support instead of venting here. They usually respond very fast. Maybe your analog board is acting out. They will know. You’ve written you got that many times. What exactly were you waiting for? Equipment does not fix itself...

Senator was always a valuable resource of knowledge and humour. I have the feeling that some people were too defensive that's why they could not handle his presence. I for one miss his presence here! This forum is not the same since he left! Please Senator, come back, or else so many will keep using their antennas and senny's forever 🙂

does it allow for track name changes after or during the recording?

Sure, i just cannot see that it's an easy thing to implement - the whole metadata screen have to be redesigned. Would sure be cool, along with wireless audition and re-record, about which i have seen Glenn Sanders's post on facebook that is "coming next"

How would editing track names work? you mean editing the track names _during_ a take? Otherwise, why would track name editing be necessary after recording, and how would you do that? 1) Now, what would be great is when at the playback, the track names reflected their metadata - recorded names. 2) Another +1 for Outputs assigning when in playback

Also interested in this comparison. How is the limiter sounding on new wisycom units? I remember reading here that their early units's limiters were not that good, and on the wisycoms site it says that the transmitters have new "HW" (as in hardware, i guess?) limiter.

No Automixer? Also surprised that no high sample rate is available. With a dedicated record & mixing DSPs, one would think that should not be a problem. Timecode accuracy in a box that expensive should be higher, too. I suppose it's okay if it's the same as Nomad's, but i usually use Tentacle sync to feed both camera and Nomad, so I wouldn't know, really. One frame out after 6 hours could be noticeable for sure when doing a long documentary day, for example. Also, hope the detachable front panel works really well, that's such a great idea.