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Found 2 results

  1. Hi there, I´ve used the UMP II by Ambient for some time now with an old Lectro Txs UM400 but I want to use them now with a Wisycom's MTP40. Problem is my Wisycoms use microdot conector and I can't seem to find the way of making the cable from the UMP to the Tx. I tried using an old DPA microdot cable but it only has 2 wires, so tried positive / ground, positive / Negative + Ground. I think there's no way of soldering a Microdot to any other 3 way cable. Has anyone use this setup? Know how to solve this?
  2. Ambient Insider's tips Recent requests from the USA and China showed that although frequently used in Europe some of our products and small workflow helpers are rather unknown to the majority of our community. Thus we would like to take the opportunity and introduce you to our "insider's tips" which have been on the market already for quite some time. VSLOT As prosumer as well as digital cinema cameras nowadays offer at least broadcast compatible video quality they mostly cut back professional audio features and inputs. With the VSLOT you can add a professional stereo slot-in receiver (of course also mono) to all cameras or rigs with a V-Mount battery. This way professional slot-in receiver from Lectrosonics, Sony, Audio Limited, Sennheiser, etc. can now be used on smaller HD cams or cinema cams, delivering an adequate audio to the good video quality. The receiver uses the power from the V-Mount battery and of course loops it through to the camera. The cables are available in different lengths to provide a slim camera rig without dangling cables while our included 20cm stereo cable works for most setups. It powers the receiver through the standard Unislot 25-pin DSUB connector... ...and delivers up to two channels on a 5-pin TA connector UMP II and QWB wireless boom solution The Quickpole Wireless Boom (QWB) is a handmade extension made out of carbon fiber and aluminum to attach a body pack wireless and our UMPII power supply to a boom tip. Of course it doesn’t matter whether it’s an Ambient pole or not as the stainless steel threads are standard 3/8”. It adds 25cm length to you boom with only 90g additional weight. The idea behind it is that plug-on transmitters often offer a worse range since they are using the Mic body as antenna. Now, of course the range you get from a plug-on is strongly depending how well your Mic body makes contact with the XLR or the plug-on. Thus sound mixers asked us a long time ago to develop something so they could use there rock solid belt packs also for their boom microphones. The UMP II, our latest generation, is lighter and smaller than our first box and can provide 48 and 12V Phantom as well as T-Power for older Mics. Dimensions (WHD): 57 x 92 x 18 mm Weight (unit only): 100 g It can power even the hungriest microphones, e.g. Schoeps CMIT for days from only two AA batteries. Of course one TA3f to XLR3 cable is included as well as a TA3f cable with one open end to solder your wireless connector to it. We took great care that our circuitry does not affect the audio at all. As our American customers prefer to use an internal cabled boom with a microphone power supply and a wireless transmitter on their belt we added a belt clip to the UMP II. In Europe sound mixers prefer to use the transmitter and Power source on their boom tip. Pros and Cons: The American way of course provides a lighter boom and easier access to the transmitter and Power distribution BUT Internal cable can rattle and the body pack on your belt has less range. The European way is a compact sized setup you also can use on a stand increases your boom lengths and offers the best wireless range. while of course the boom gets heavier. More Insider's tips will follow if you like Best Regards Timo P.S. we also offer an active Phantom Power to T-power cable called PTM
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