osa

Yep funny you mention it was Nick at Gotham who i have been working with since late 2025 to get updates and he did let me know he has his hands on one currently. There are still some software things being ironed out but i was curious if anyone here has field tested one?

Curious if anyone here has been testing these DCiRX receivers. I am still looking for a more compact RX 200 replacement and on paper this new receiver due out any day now seems to fit the bill? I was not happy with the URX100 but i do use it on non-critical stuff. I am on a list to get one when they become public but wondering how reliable it will be as a stereo receiver.

That and also when you’re dealing with tons of footage from different sources, having the visual notes attached to the footage.

This is hysterical we have to have this conversation but i am at an office now that has a dry erase board - all their markers except for the red were dried out! Used a sharpie and the red for eraser fluid for the time being. Will check out the pentels for sure - great tip

Dry erase markers keep drying out on me of all brands i try just when i need em most. Is there a good trick to preserve them long term coming in and out of heat and cold etc or a better marker solution all together for those who only slate occasionally?

Didnt get to test today but gonna try after tomorrows intv’s. Will report back!

I put in a note to Howy to see if Zaxcom might offer this in the not too distant future.

Someone correct me if I’m wrong, but I believe Sound devices recorders do it which was an example they gave in their spec sheet

Great yes I would love to try it! I know, though I get it, so many questions like this about editors and refusing to be outside of their comfort zones for multitude of reasons so I just give up trying to use force. All I could do is give them everything and hope for the best. i have some who insist on starting with my multitrack files and others who insist on camera audio only and my files are emergency backup. I educate where i can but ultimately I aim to please.

Getting requests a few times lately for files to be 1x continuous take no breaks and so far has not been a deal breaker. Is there a quick trick to make it possible if not in the recorder through a 3rd party app (short of pro tools etc)?

2x dif clients of mine now have hollyland solidcom se’s the cheaper single ear wireless headset kits. I get the communication factor but i hate wearing them over earbuds etc. looking to possibly take one apart and create a beltpack cable com system to my mixer unless there is a compatible beltback available? The m1 says a different system. -Ken

Thank you - ive said this many times before but i need premiere just to see the process with my own eyes to have a better understanding. I will talk to them about this info. Thank you.

Working on a doc currently where they are not editing until all interviews are complete. I may have the opportunity to guide them into editing with my multitrack audio from the start to keep things tidy for me to also do audio post - depending on the editor and their particular workflow. Or worse case i can use software to sync my audio on the back end as i have done in the past. Just had a conversation with some editors about this and i am told, while a great idea on paper, most editors will not want to work this way. In almost 2026 is this still true? Curious if premiere can “nest” multitrack audio or something similar? Trying to give these folks some options while i have the chance -Ken

For me personally no but I keep my chargers in a charger case for home n hotel when traveling so nowhere near a recording environment. To me not much different slightly quieter than my former NP1 charger

DCiRX looks like it could be the one - i will keep n eye out for it