Jump to content

Search the Community

Showing results for tags 'SRb'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


  • Main Board
    • Current
    • The Daily Journal
    • General Discussion
    • Equipment
    • Cameras... love them, hate them
    • Recording Direct to Computer
    • Workflow
    • The Post Place
    • Images of Interest
    • Macs... and the other computer
    • All Things Apple
    • Technical Reference
    • Do It Yourself
    • Manufacturers & Dealers
    • Work Available - Available for Work
    • Post to the Host
    • Donate to Support JWSOUNDGROUP

Find results in...

Find results that contain...

Date Created

  • Start


Last Updated

  • Start


Filter by number of...


  • Start





Website URL








Found 8 results

  1. The current conversion or update price to change an SRa to an SRb is $250 in the US. That price will be good until 31 July 2013. It will increase 50% to $375 after 31 July 2013. At the end of the year, we will drop the conversion "deal". Current cost for a block change is $752.38 and the SRb conversion uses exactly the same parts and requires the same alignment. So, at the end of the year the conversion may get pricey. Note that at $375, it is still half price. If you can't get a unit in before 31 July, simply make an appointment before then for a conversion before 30 Sept 2013. This gives you 50+ days to decide to rob the piggy bank and 111 days to find a break in your schedule. If you have a firm appointment, the crew is good about turning the units around for a specific return date. In the past few months, we have have done a thousand conversions in bulk. That is slowing down and in a few months it will start becoming similar to a regular repair. Hence the pricing change. Best Regards, Larry Fisher Lectrosonics
  2. Okay... my eyes (and brain) are glazing over. I just read an old thread where a member says he wired 40 people in ONE block! Wow... maybe I'm over-thinking my new bag(s). The gist is... I have a little trepidation about putting so much into SRb... with the LR/LT now available (only because of the difference in 1 block vs. 3 blocks)... HOWEVER... I still think the SRb is the defacto bag choice (or Wisy, etc.)... basically, that form-factor wins IMO... and, I fully understand Rado's obsession with weight-reduction. Anyway... so... choosing blocks! From what I've read, and experienced, here in STL... 19 is a good choice here. The common logic I get over and over from other soundies is go as low as you can on new purchases. 19 has been working well in STL... so... 2 SRb down in 19 (Thank you DVestore, for the great service)... and 1x 21 for hops to news cams. With the SL6 eminent... I'll definitely have 3 in there... and probably stack a couple more on top in a dashboard. These 5 SRb will alternate between the big reality 688 rig... and 2 at a time will go down into the little 633 (with dashboard) news/efp/small-gig-rig. Right now I'm trying to decide between 3x 19, and 2x 470... or 2x 19 and 3x 470... while still keeping them a full block away from the hops on 21. Thoughts so far? From what I've read on the archives here... and on the Lectro pages I think I'm heading in a solid direction. I feel like Lectro should have a clear, "pre-sales page" which sort of insures these choices, but so far I can't find it, if it exists, which is why I'm posting here. I've also got some G3 units that I use as both DSLR (or other economy hops)... and IFB. Bottom line on that is people aren't getting SRb hops if they're not paying for it, or unless the overall gig pays so well that it's covered... i.e. magazine shows and/or other high-end production... THAT'S when the G3 is handy. They're good enough for scratch hops (too good almost)... and pretty good at IFB... all from a single TX. My G3 TX is "A"... so here is the kit(s): Talent: 4x470 (or 6x470) 473.300 - 485.700 (470 can be tuned into block 19 manually, almost half-way at 495.500... does this increase the value of 470 enough to get 2 extra 470 and 2 less 19s?) 6x19 (or 4 x 19) 486.900 - 511.100 Cheap HOP and IFB Block "A" 515.000 - 558.000 SRb Hops Block 21 538.100 - 562.500 So... if you care to comment. I feel like this is a pretty good plan. Which, based on experience and reading Lectro charts for here, and other cities... should be good, but I'm wondering if it's a poor choice to have 10 wires (and likely 12 eventually) in only two blocks, 470-19... or if I'm right on the money? Needless to say... some major burning on the CC... I was hoping to find something on Lectro's site to reassure my plan... and from there, the archives here. My current bag is a hodge-podge of blocks... and models, 411, 211s, 210d, and 201s in blocks 21, 22, 24, and 25. I've done well with this kit, but there are days where it makes me work harder than I think I should have to (getting all the blocks to play nice through the numerous talent, IFB, and hop TX. I'm really hoping that my current plan will streamline all of this... and take some of the coordination stress out of reality gigs. Typical max on reality (for me anyway) is 8 wires... but if they're willing to pay for each wire after 2 or 4... I'm happy to load 'em up to the max ISO channels, but I would like to make it easier on myself than it has been.
  3. Jeff Wexler posted a clear and informative reply to Prahlad Strickland's question about diversity reception. Read it here: I posted my question there, but as it was off-topic I've re-posted here so as not to derail the thread. Lectrosonics' SR manual reads: "...the two channels can be used together as a single receiver in "True Diversity" Ratio Mode for enhanced performance in some environments." My understanding is that in Ratio Mode, the dual receiver SR "favors" the audio signal from the receiver with the stronger signal from the transmitter. If Ratio Mode on the SR is a combination of antenna diversity and receiver diversity, how is it better than receiver diversity? If I use a pair of receiver antennas (matched or not) in fixed positions for each integrated receiver front end in an SR, both receiver sections will have (presumably) identical range and reception from the transmitter. How does Ratio Mode purport to give a more robust signal than plain ol' receiver diversity?
  4. The Duopack Li Ion housing for the SRb receivers is going to final QC this week and will be on the shelf the first of December 2014. This enables the SRb dual channel receiver to be used with cameras that do not have a power output available. Here is the product sheet: http://www.lectrosonics.com/US/Multicouplers-Adapters/product/482-duopack.html#data-sheet Best Regards, Larry Fisher Lectrosonics
  5. Are any of you folks set up this way? I'm thinking of running two Block 22 SRb's paired with 4 SM-series transmitters. I currently have 1 Block 22 SRb and 2 Block 22 411a's. The rest of the bag contains 1 Block 19 SRb/2 SMV with a Block 26 Zaxcom Digital Link for hop, running through Nomad. Thank you for your input.
  6. Having an issue with a new block 21 SRb. Once in a while it will randomly block out all frequencies (as in, if you scan, everything will be unavailable) and it sends a fairly intense feedback into the mixer, sounds almost like a fax machine. Only lasts for a few minutes then goes back to normal. Power cycling doesn't fix it. Currently on the road and it will be awhile until I can take it back. Any ideas welcome. Thanks
  7. I'm prepping to do an outdoor run and gun style reality shoot, and am looking for a good solution to use my SRB recievers on their EX3 cameras. In the past I've done the fanny pack setup, but this show is going to involve a lot of running through the woods, etc and I need something sturdy that won't snag on things so easily. Suggestions? Do brackets for SR receivers exist? I appreciate your input!
  8. Hello friends, I have an SRB with all of the optional attachments, and I am about to build a d tap cable. Unfortunately, I am completely inexperienced with using a d tap to power anything. Does this connector exist on the camera or the battery? Should I expect that camera will be using d tap for something else and be prepared with some type of splitter? If it helps, I am preparing to connect to a Sony F5 which doesn't have the slot for an SRB. Related question: What if I am on a camera that has neither a slot nor a d tap option? Does anyone make an external power supply for the SRB to solve this?
  • Create New...