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Found 13 results

  1. Hello all, my question is this. Can a digital tc camera, let's pick Red Dragon, or Weapon, tc drift after the record button has been pushed and before the stop button is pushed? So if you are on 25fps, for easier math, then frame 1 gets stamped 0, is there any way for frame 3 to get stamped something other than 74? And yes, I have searched this. If you know of a link that answers this question, please post it. Thank you. If you need to increase the roll time to an hour for discussion purposes, that's fine.
  2. Announcing! Mozegear BNC Q28 TC We didn’t think it could be done, but here it is Introductory Price - $439 Shipping Starts- Today Super Small Size & Lightweight - Just 2.8 cubic inches and 1.9 ounces. Easy Set Up - Just set the controls and go. Specifically Designed For ... Virtually EVERYTHING - The Q28 was designed to work with all kinds of devices including: high-end cameras, DSLRs, and even those that may have some “unique” timecode challenges. An important feature is the especially wide variable level output, which allows the user to accurately set the
  3. INTRODUCING THE Tig Q28 The Most Incredibly Small Timecode Generator Only 1.9 oz and 2.8 cubic inches Introductory Price $439 Pre-orders are being now being taken. Shipping to begin Monday of next week (8/4/14). KEY FEATURES NEW “Show” Position - This setting shows the current timecode in hours and minutes. High Level Accuracy Design - The Q28 has the same high quality TCXO (.5 ppm) and software as the Tig. Variable Timecode Output Level - Works well with all cameras and smart devices due to the 15 adjustable settings between 20mV and 3V. Flow Through Aud
  4. NEW QL Timecode Generator We would like to announce the newest member of our Tig Q family which is the QL. It offers all of the accuracy, features, and size of the Q28 but without the Lemo. We know that some users just want a locking connector but don’t necessarily need the Lemo. Now the QL fits those users at the lower price. Intro Price - $399 Top Feature Highlights Proven Tig software design that works well with all types of cameras, recorders, and even “i devices” Quick and simple set up for easy use Locking 3.5 connector Durable design with center beam - We have run over
  5. Hi Everyone, I want to introduce our company MozeGear and announce our first product. MozeGear is a new U.S. company formed to design and manufacture unique audio products specifically for the television and film industry. We want to announce the “TIG” (which stands for timecode generator). Highlights of TIG’s feature list are: Miniature size (similar to a dollar bill folded in half) Accurate & high quality TCXO Sturdy anodized aluminum case with a hinged battery door Variable level output NEW FEATURE, “Flow Through Audio” combines audio and timecode by putting timecode on
  6. The compact size and apparent simplicity of the :pulse is deceiving. It’s actually our most advanced and feature-packed piece of timecode technology yet. Yes, beyond the diminutive aluminum casing lies unrivalled timecode and metadata innovation, presenting a camera accessory that offers a single box solution to streamlining production workflows. Use the :pulse to generate Timecode Buddy’s signature brand of super accurate timecode and genlock, sync with zero drift and use the integrated WiFi to share all of this information to multiple iPads. But we didn’t stop there. The :pulse was d
  7. So today I had a shoot with 3 Red Epics and I took my lemo 5 TC cable and BNC-lemo 5. But then there was the horror: TC on the Epic body without breakout, seems to be lemo 4 . Aside from Red pissing me off all day, I don't want this to happen again. So I'm trying to find out to make a cable like Devendra did in this thread: But I can't seem to find the schematics for some connectors. I found this: http://www.sounddevices.com/notes/recorders/xl-lb2-wiring/ and http://www.sounddevices.com/notes/recorders/time-code/xl-lx-wiring/ but I can't seem to find the schematics for lemo 4, XLR and dif
  8. I do nature sound recording as hobby and have done projects where the dialogues I recorded were synced using plural eyes. The only time code I knew was punching in and out in my day job. Now I have access to a SD 702T and am wondering how do I use time code with a C300 camera. We will have a manual slate for the takes in the project. Though I have read the C300 manual about timecode, I have no idea how to go about it, as I have never done it. Can someone please be kind enough to answer this basic question. I don't have access to any other hardware like timecode buddy etc (never touched i
  9. TIG Timecode Generator Durability Test I love durability tests and think they are so much fun. So we decided to do a video showing the TIG (timecode generator) being driven over by a truck and dropped off the back. It survived very well (especially considering we drove over it about 20 times and dropped it over 30.) So here's a TIG and a truck: https://plus.google.com/112281036772159173979/posts Laurie 480-292-9060 lauriew@mozegear.com www.mozegear.com
  10. I'm trying to feed my slate with off speed TC for a music video playback (via Comteks). The display though shows/updates to my numbers very spottily - and the reception LED mostly stays on red no matter what levels I'm sending. I have the slate on READ (dip 4 + 5 are on) and also have dips 1,2,3 as off, off, on - according to the manual. Anybody know of ways to trick the slate into behaving....? Thank you, Karl
  11. I will be starting a feature film shoot with the Sony F-55. The final delivery will be DCP, but the camera cannot record 24 FPS with the current firmware. It will only do 23.976. Since I'm in Europe, I have always been able in the last 30 years to ignore this silliness of fractional frame rates. But now I need to understand it's implications. The thing I don't understand is why some timecode generators and audio recorders have a separate 23.976 fps setting. We would have a TC generator on the camera, synced to the audio recorder (Sonosax R4) , which records the time of day. Both the audi
  12. Hey all, Getting into timecode and worried about whether I'm totally #$@%i@ things up or not. Followed and what a few mixers have told me (and searching on JW a bit) have told me that I could jam from the recorder to the camera and that it should be fine. Without a lockit box. However, the Alexa manual is kind of brief and doesn't mention this particular activity of the timecode. What I want to know is what the blinking Alexa TC means. After I jam from the recorder it (it being the TC numbers/digits) stays solid for awhile, but then goes back to blinking again. This rec
  13. I'm really sorry to ask a very similar question that has been asked here before but having read all the relevant topics and posts I am non the wiser. I'm here in Cardiff, UK and working with an American company coming here to shoot on a few 7Ds for the US market. I will be using a 552 with a Lockit (ACL 202CT) providing TC input, jammed to an Ambient (ACD 301) slate. After repeatedly asking what frame rate they want me to record the audio at or telling me what the cameras are doing they haven't provided me with an answers (cheers guys I think to myself). So my question is: given the lack of
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