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It depends on what sort of production you are recording. For movies, as above (mono + PF isos).  For smaller corpo and docs, as the OP said, unless their peeps want something else.  On the latter sorts of productions often there is no or minimal audio post, so a little flexibility but not a lot (ie split boom.lav mix) is appreciated.  This is especially true if your production wants 2 hifi tracks sent to the camera(s).

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