content delivery

[newzhack]

How many mixers actually try to mix their content?

Over and over I have been told to just put the lavs on one track and the boom on the other. 

I would love to hear from those in Post Production too. 

[syncsound]

I mix to mono (with pre-fader iso's)  until directed otherwise.  My philosophy is to give them what they ask for, so long as it isn't unduly burdensome. 

[Philip Perkins]

It depends on what sort of production you are recording. For movies, as above (mono + PF isos).  For smaller corpo and docs, as the OP said, unless their peeps want something else.  On the latter sorts of productions often there is no or minimal audio post, so a little flexibility but not a lot (ie split boom.lav mix) is appreciated.  This is especially true if your production wants 2 hifi tracks sent to the camera(s).

[newzhack]

I was thinking about movies. 

 

[haifai]

In post i avoid to work with mix tracks, only isos... 

if i do location recording,

most of the companies i work for dont ask for a mix, its realy rar.

 

i do mainly documentaries for tv and cinema.