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Axel Mishael

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  • Location
    Mexico
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    Sound Mixer
  • Interested in Sound for Picture
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  1. I've used the David Clark's 10S/DC , they have a -23dbs attenuation, the sound is good and so the attenuation, here's the specs: https://www.davidclarkcompany.com/files/literature/NRR Sheet, 10S.DC.pdf https://www.davidclarkcompany.com/files/literature/Spare Parts, 10S.DC.pdf Axel.
  2. Hola Andrés, te mandé un mensaje privado... Axel.
  3. A lot of the boom ops prefer in ear type of monitoring like the shure's and perhaps by far they don't seem to have any headphones...
  4. Perhaps they're trying to reach the broadcast, tv for now, I suspect that because the handheld and the size of the transmitter... On the other hand, a possible 4017 Digital is exciting to me... Axel.
  5. As Jonny suggests, talk directly to the mixer...
  6. If it's tv series as you say it is more likely to being shot with a wide angled camera and a tight one, and there is when most of the times the boom's purpose is losing the battle, perhaps the mixer thought that giving you more pfx might be of some use. Axel.
  7. What you need is here :
  8. Hi Tom, it is normal, I also have the cmc141 and it is certainly 6 dbs quieter than my dpa 4017 and certainly 10 dbs than the cs3. I guess you shouldn’t be worried. Axel.
  9. I used Sound Report Writer but it seems it's outdated. Been a few years that we use mostly movie slate and works great, you can pay monthly or purchase but it's expensive... Axel.
  10. Yey!
  11. How did you convinced the DP to put such a weight (on the other hand a "camera mic" never sounded better).
  12. I've recently ended shooting a two week documentary, mostly talking heads but with some share of run and gun and predominantly done on noisy locations; Been using a 4017 for years but on this occasion I went with a CMC141 (on interviews) and a Minicmit (on exteriors, run and gun and noisy locations) and I liked the results. I haven't heard neither the 2017 nor the 8060 but I've always felt that the DPA's need to be closer (than a CMIT5u or a Minicmit) to sound great. I concur about the CS-M1 but then again, post can handle the sibilance while you have the usual Sanken stamina and the proper size you might want. Best, Axel.
  13. Well, the obvious choice is to delete one by one, but most of the times, once we finish a scene, I choose to rename the scene and I don't need to put new entries... as for the track names I apply the new entries but there isn't much of a problem for me, or I use and old ipad mini with the cl wifi app and seems more easy to change anything for sure...
  14. I'd stick with Cos 11 (I personally don't like the countrymans) if the scenery you depict, the dpas are very expensive for that matter.
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