TommygunZA Posted November 30, 2017 Report Share Posted November 30, 2017 Ive been asked to help give advice (probably free) for some people hosting a bike race here in South Africa. There is the post race gibber and IVs etc. The guy wants 10 (mono prob) outs from the 2 in he is getting (Interviewer and Talent). Ive not done this before but suspect it may be an issue as when I do live stuff and ask for a feed from the desk (even fancy big ones) they (engineers) are always reluctant and outs are often at a premium at big events. Im inclined to make sure we get a great copy of the audio and if the press need good audio they can get it from us after the event (maybe even during). Is there some kind of splitter box to take the stereo out from a Mixing desk and give me 10 mono copies? We dont really want 10 mics in front of the talent hiding him from the camera... Another idea was one transmitter and 10 receivers set to the same channel. There are many ways to skin a cat Whats your way. Essentially its to get the same signal to lots of different press/camera people. Quote Link to comment Share on other sites More sharing options...
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