ramallo

I have the DPA4, is noisier than the SPS200, and in my opinion I prefer the SPS200's sound. https://soundcloud.com/suso-ramallo/mic-a https://soundcloud.com/suso-ramallo/mic-b

Very sad news :_(, we lost one of the greatest guitarist

http://www.chicagotribune.com/entertainment/chi-harold-ramis-dead-20140224,0,2259309.story

I don't think so, but I'll try it

I tried with the angled housing, and I observed that is a bit problematic on Nomad due the TC out connector

A AB pair of omni mics will be enough (Or XY with cardioids), Oktava 012 would be my choice

This is my approach I added a series capacitor for phantom protection (47uF 63V) In the last image the insertion loss (Depends of the input impedance due the RC) (ups! I forgot the 1kHz notch "on") *Sorry for the ugly solder, is a recycled XLR3

The nylon make the cable more harder (I used them in live sound for years (in snakes)), prevents cable knots and is easily replaceable.

Simply with a lighter you can burn the nylon ends (you can press a bit the melted nylon for get a better join between the nylon yarns), and no more fraying. In other hand I added too a heat shrink tube

Cheap http://www.akg.com/CBL99-837.html?pid=1106 On the ceiling

Looks like a Central station From his paper, range: Typically 30 m line of sight up to 300 m point to point. Longer range depending on obstacles, reflexions, interferences.

Maybe, appears that needs always the base station, but in a cart would be ok. IMO the principal concern is his operation range

Anybody tried this? http://www.neutrik.com/en/audio/xirium/xirium-system-components/

First I cut the nylon mesh tube (2cm less than the individual cable length). When I have all the meshes in his place, I use a thermic glue between the meshes followed by heat shrink tube. This is more than enough for a long lasting cable. The yellow tabs are the numbers (1,2,3,4 and 1,2,3)

Finally, today I had the time for make my Nomad AES/EBU snake Cable: MR202-8AT (I removed one pair) (This is not exactly an AES/EBU cable but is thin and have 88 ohm (under AES/EBU tolerance) and have a good jitter figures). DB15 housing FCT Electronics FMK1G

I get good experiences recording music using the Zaxcom Nomad, although is not a device designed to record music. (But is a audio recorder after all).

All of my cables are Canare star quad (+Neutrik) and I'm very happy with them, a bit rigid but very good mechanical. I prefer the "do it yourself" for my own cables (better finished and solder)

Feliz año nuevo a todos!!!! Happy new year to all!!!!

Yes, I usually use more than 25 cm, but this night I just had one stand and small bar

Is great This is a recording with the SPS200 (No eq or other processing), the DPA was only for reference (Too much reverb in the room for this mics). This is a fireworks in AB (Close) SPS200 DPA

My condolences Steven

Nice

Yes, all of this devices have in his technical specs 48kHz 24 bit "converters", but apart of the FZR the transmitters are also band limited (16kHz), this suggest me that all of this devices works at 32kHz (Almost in the final part of his signal processing). I got here (On technical specs): http://www.zaxcom.com/zfr300 http://www.zaxcom.com/trx900ltseries

You'r right, in the real world is less than a half. http://en.wikipedia.org/wiki/Nyquist_rate http://en.wikipedia.org/wiki/Nyquist_frequency

No, according to Nyquist you the highest frequency you can get is the half of the sampling frequency. 32 kHz is the double of 16kHz. I know that the FZR don't have AES/EBU, was just an example (of the above)