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Everything posted by jonmoore

  1. Thanks for the input. How you've described it is pretty accurate- it comes down to wanting a well assessed price on a used piece of gear.
  2. Hey Jose. Yes, another sound mixer could count as a 3rd party. If you're interested, we could chat. 😀
  3. I'd love to see one these! Even some kind of TS-C with Zaxnet internals would be incredible. TC, UB, Scene, Take # live updated. I'm sure someone here is smart enough to figure that out.
  4. I was eating cereal when I read this, thanks for the visual ! Hah. You're right. We trust each other enough to properly appraise, but would prefer to hire out this task. And as John said, to have someone sign off on it.
  5. Thanks for looking into this, Austin. I thought I remembered Rich Topham at Pro Sound doing appraisals back in the day. I'm not sure what he charged, but I imagine it was pretty reasonable. The goal here is finding an objective 3rd party to appraise gear based off a list that has purchase dates and current cosmetic condition, to value a the equipment portion of a company's value (as well as accurate insurance reasons). Self appraisal isn't necessarily objective.
  6. Nice article. They point out human hearing is 64-23k Hz. Have I been living a lie of 20-20k? The pistol shrimp is the loudest animal in the world. It snaps its claw to stun its prey; hitting up to 200dB! I'm assuming underwater sounds would be weighted differently than sounds propagating in our air due to the fact it's harder to hit high dB ratings in a gas.
  7. Great show! Props department needs a little lesson on feedback and dynamic vs condensor, though.
  8. I love my DPA 4017b. The pattern is a little wider and a bit more forgiving.
  9. Hey Everyone, Production took off on me before I could take my ERX off their camera. This was in Englishtown NJ, but they were on their way to Bethlehem PA and the crew is from LA. The serial number is 1173 and it had a Bodyglove EZ View case and an xlr/bnc Y output cable. (1/8">xlrm/bnc). Please get in touch with me if anyone happens to come across it.... Thanks!
  10. Thanks for the suggestion. I just bought Lockstep and it works great! At only $19, it's worth it.
  11. I have gotten Lectro rx/tx in mode 3 to work with Sennheiser G3 series and Mode 6 to work with Shure PG series. Does this have anything to do with the higher/lower devation as well?
  12. I still rock Pro Tools 8 LE w/ a Digi 002. I'm pretty sure I need to upgrade to 10 or 11 to get timecode capabilities, right?
  13. I didn't post the zoomed in pic of 26, but there was lots of open freqs. Thanks for the reminder, Jason.
  14. You're best bet is sending it back to Lectro HQ. Did the talent's sweat get into the TX? If so, it might be a little bit of salt corrosion- circuit board would need thoroughly cleaned.
  15. Awesome rig. I'm curious, how is the RF isolation on the Delrin material, Simon?
  16. jonmoore

    Avid S3L

    Good call, Justin. Leave it to Avid.
  17. jonmoore

    Avid S3L

    At first glace, that looks like a hirose power input. I still can't tell if it is the same locking mechanism though, but I wouldn't expect to see a hirose on a product like that. AVID's website has no info. http://www.avid.com/US/products/S3L-System/Specifications
  18. I agree. That ERX is the way to go. Split the output to XLR/BNC and you're set.
  19. Even though it's been 5 years since this post. I just wanted to thank you for your brilliance on finding that part, Mike! Any word on how much you're selling them for now?
  20. I know that Pro Sound has them in NY. Possibly the NOLA location too.
  21. Worked with TED Conferences doing an interview and live performance with the legendary Victor Wooten.
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