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pillepalle

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Everything posted by pillepalle

  1. The MKH8060 was the first shotgun I got, about a year ago. I was also tempted to get cheaper options for a shotgun, but I'm quite happy I've decided not to go with the cheaper options around. Hard to say if it's worth the extra money, because that's a personal decision. I went for an established and proven mic. After having seen an example of two documentary filmmakers on an aircraft carrier who gets clean recordings without interference from the huge radar on board, I was quite impressed. There are many properties you won't find on any spec-sheet. I'm also shure that in the future I will get
  2. There are also a lot of Youtube Channels from manifacturers that has usefull informations. A good example is URSA Straps with a nice 'behind the scenes' series on location sound mixers and their work: https://www.youtube.com/channel/UCSisEDfDKQc2s6sGZsQyMTQ Greetings
  3. I've found an intresting comparison of super and hyper cardioid mics from Schoeps, Gefell, Neumann and AKG. Not super scientific but nevertheless you can hear some differences. Owning the M310 from Gefell I always wondered how much different a Schoeps CK41 would sound. Now at least I have an impression 🙂 The Schoeps seems to have a tighter pattern and less ambience than the gefell and the Neumann has hyped or sharper highs, at least to my ears. Although the noise floor of the AKG generally is a little higher I quite like the sound of it. The outside
  4. Did you add the Cut 60? To me it's cheap but maybe I'm wrong...
  5. For me it's not so much the colour (although I like it) but the price of the offer. Under 1700,-€ for the combo is quite attractive. Greetings
  6. Yes, this is a nice one Unfortunately I won't make it to get one of these. Hopefully there will be some similar offerings in the future.
  7. I think that you can generally critizize our economical system, or the globalization, but this topic is more a political and social topic and I'm not sure if a forum like this is the right place to discuss that. Things where not built to last anymore and you replace cheap gear instead of repairing it. You have no customer service. And when you don't produce large quantities and you don't produce in a country where the loans are low it's obvious that the prices has to be higher. So everything has it's ups and downsides. I come from a photography background and I remember times when
  8. My favorites are also the HD26 Pro. I can wear them the whole day without any fatigue. I'also have the Audio Technica ATH-M50X that are nice for the cable options and the fact to be foldable, but not as comfortable as the Sennheisers in my opinion.
  9. It's a great peace of equipment for people on the budget. Not everybody needs the high end stuff. Beeing able to record with timecode and also monitor the signal on the mixer is evereything I've dreamed of Greetings
  10. If you want to make your own disinfectant you can use the recipes from the WHO. The ingredients are ceap (if you use methylated spirit for example which contain 94% of ethyl alcohol ) and you can use it also for your hands (due to the glycerol part inside). Just be carefull when handeling flammable liquids, be aware that the boiled water has to be cold before mixing it and that the solution has to remain 3 days in the bottle before use (that's the time the hydrogen peroxyd needs to kill possible spores). https://www.neolab.de/media/wysiwyg/content/Anwendungskapitel/WHO/WHO_Guide_
  11. If you work with pros they never use a brush on differernt persons anyway. That's one of the first things you learn as a MUA. You have multiple ones for the Job and wash your brushes when you're back home with a cleansing solution or shampoo after each use. Greetings
  12. Lectrosonics seems to have a new model: https://www.lectrosonics.com/IFBR1b/product.html Greetings
  13. Hi Jim, I use the Rode Stereo Bar and I like it. It's made of plastic with metal threads (for microphone stands) and there is also an Adapter for 3/8" screws included. The Clips on the microphone clamps can be used to vary the height of the mic and there are markings on the bar are useful for alignement and the distance. As mentioned there is no suspension on it, but on a stand you don't really need it, Greetings
  14. The main out is a balanced signal (for longer cable runs or professional gear) and the sub out is an unbalanced signal. For your DSLR ist's fine to use the sub out as far as the cable from the recorder to the camera is not to long (because of possible interferences). You can record directly to your DSLR but the preamps on these cameras are only consumer level so keep the levels on the camera low and feed it with a strong signal from your recorder. Usually camera sound is only used as scratch sound and you sync the audio from the recorder to the image in post to get better results.
  15. Haha... I think your right. This evening I've tried to change the settings but now it adds the delay on all channels. I'm quite sure it worked for a while because I've made a couple of recordings that way. But I have no idea how I made it work and why it didn't work now. I came home late this evening. I'll give it another try on another day. For now I can't make it work... Greetings
  16. I've bought mine in April this year. There was once a firmware update, but as far as I know no modification on the units. It's a little fiddly to set it up correctly and I also had to make a couple of tries. Here are some snapshots of my settings. The analogue audio comes in on channels 1+2 and the camera audio on channel 3+4. Usually I feed a timecode-signal from my tentacle sync to channels 1+2 and the camera audio goes to channel 3+4. I hope this helps Greetings
  17. In this case I guess your settings on the Atomos Ninja V are wrong. I also use it and I'm able to set a delay on the analogue input that doesn't affect the sound coming with the HDMI signal. It get them both perfectly in sync.Like you've mentioned - it would make little sense to add a delay on both signals. Greetings
  18. These kind of things can happen to every manufacturer. Products these days are complex and production cicles short. But in this case I agree with IronFilm. Or something works properly, or it doesn't. It's simple like that. Greetings
  19. Why don't you simply sync the first audio file to the video footage and append the other audio files to the first one manually? The recording should be without gap (if the audio was splitted by the recorder) so you don't have to sync each audio track seperately. If you have different video files you have to do this operation once for each clip. Maybe someone else has a better solution. Greetings
  20. You might consider the new DPA 2028. Costing about the same as the Neumann KMS 105, with interchangable capsules it seems to be a good choice for your application. Greetings
  21. @ Werner Althaus Yes, they mainly use them on vocals. Greetings
  22. Cinela is probably the best solution around, but for people like me that are no full time professional sound guys and on a budget it's hard to justify the investment. Using an MHK 8060 and spending more than the cost of the mic for the Windshield/Suspension (with accessoires) makes you thinking about the benefits of the Cinela and the downsides of a cheaper solution. So I decided to go with a Rycote System and it works fine for me. I know that there are better mics and windshields around, but I also know that my work has a much higher influence on the result than any brands product
  23. The microphone choice on the NPR concerts is due to the small distances of the musicians and crosstalk. But it's a good example that the most important things on a recording happens infront of the microphone Greetings
  24. As far as I know on the GH camera models that have the same timecode feature the timecode sync isn't accurate. It's always a couple of frames off sync. I have no idea if they fixed that in the S1H, but honestly I wouldn't rely on that. Better to use the tentacle sync on one the left audio channel of the camera (with a splitter cable) and use the right channel as a mic input. Or going directly into the mic input of the camera (without splitter cable) using the tentacle mic as scratch mic. Greetings
  25. @ constantin If they couldn't be synced to other devices what sense would make the inbiult timecode generator? As far as Ulli from Tentacle mentioned bluetooth is not ideal for time critical applications and that it's reccomended to jam the units via cable. For monitoring purposes bluetooth is okay because they refresh the signal only once a second. Maybe they can't jam other devices so the classical Sync E is used on devices that usually have no timecode option. But it seems we have to wait and see... Greetings
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