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LOON is back!


RPSharman

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How is the finish on the Loon poles?  I usually prefer VDB's glossy smooth finish to the matte dry finish of the K-Teks.. Always thought that the gloss finish made for less handling noise.

Loon's poles have a similar finish appearance to K-Tek, can anyone comment on how it handles?

Thanks,

d

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How is the finish on the Loon poles?  I usually prefer VDB's glossy smooth finish to the matte dry finish of the K-Teks.. Always thought that the gloss finish made for less handling noise.

Loon's poles have a similar finish appearance to K-Tek, can anyone comment on how it handles?

Thanks,

d

They have a very nice composite looking finish, grainy in a way, hard to explain but looks nice.  It's not a matte finish yet it's not glossy to me either.  I find very little handling noise when I need to slide my hands around, very light overall as well.

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How is the finish on the Loon poles?  I usually prefer VDB's glossy smooth finish to the matte dry finish of the K-Teks.. Always thought that the gloss finish made for less handling noise.

Loon's poles have a similar finish appearance to K-Tek, can anyone comment on how it handles?

Thanks,

d

I REALLY like my loon. It's 18' so I use mostly for film and certain documentary work.

If I am mixing a film, my boom op only gives it up if it is something really tight and he switches to the little k-tek 7' mini pole.

My 12' is an older style VBD boom. the inner tubes have a matte finish and kind of suddenly they started to leave grey residue on my hands. I have cleaned them a few times, but it's still happening. When I replace this pole I would definitely consider buying another Loon.

The bigger difference I notice between poles is the locks. Some can be tightened to that point where you can silently adjust your length (for docu-ENG-reality), and others really lock up which is great for a film where you are using a heavy mic (like a long shotgun) that might make other poles have a segment twist.

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  • 2 weeks later...

I recieved my Loon 12' poll yesterday...Let me just tell you!! This thing is awesome!!

compared to the PSC and K-Tek I've been using, this is hands down the best.

Finish is smooth, but not slippery...All the joints are smooth and easy to adjust. I dont have the wing, so I've set the base so my 90degree xlr is flush.

So far I love it, and love having an extra 4+ feet to work with.

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The bigger difference I notice between poles is the locks. Some can be tightened to that point where you can silently adjust your length (for docu-ENG-reality), and others really lock up which is great for a film where you are using a heavy mic (like a long shotgun) that might make other poles have a segment twist.

I find this too. With my VDB I leave the locking collars semi tight and just push pull the pole to change length. If it was for a long gun mic' I'd prefer a pole such as Panamic which has a very easy on off kinda locking collar. For doco eng stuff though the vdb style works for me.

How is the Loon in this regard? What are the ocking collars like?

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This week I worked my Loon Penta, swinging it for a job. When I was holding it above my head with one hand, my grip very tight, I suddenly heard a cracking noise.. I literally squeezed my boom... I was very surprised, cause till then I thought it was my toughest and best boompole..

Diego

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what did you think about when it happen  ?,

how much you love your  Job or what you can do to producer neck ?:_)

probably both..

it's not broken, but I managed to squeeze the carbon again this week... I still have to close inspect it to see if it really has cracks..

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probably both..

it's not broken, but I managed to squeeze the carbon again this week... I still have to close inspect it to see if it really has cracks..

Be very careful of carbon fibre splinters. They are almost impossible to see and remove and can lead to the loss of a finger through infection very quickly. (particularly if working in remote locations) I know someone that nearly lost a finger because of CF splinters. It had swollen quite a lot, and when he finally got it looked at 4 weeks later, required surgery to find and remove it. Much longer and the finger would have been removed.

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Be very careful of carbon fibre splinters. They are almost impossible to see and remove and can lead to the loss of a finger through infection very quickly. (particularly if working in remote locations) I know someone that nearly lost a finger because of CF splinters. It had swollen quite a lot, and when he finally got it looked at 4 weeks later, required surgery to find and remove it. Much longer and the finger would have been removed.

oh man, i didn't know that. Thanks for the warning..

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This week I worked my Loon Penta, swinging it for a job. When I was holding it above my head with one hand, my grip very tight, I suddenly heard a cracking noise.. I literally squeezed my boom... I was very surprised, cause till then I thought it was my toughest and best boompole..

Diego

Are you sure it was the carbon tubing.  I own a 12' Loon and I have had a problem with collette ( I think that's what they call it) that holds the stud at the end.  Under the wieght of Rycote blimp with my 416 or KMR81 or larger mic the plastice collette insert that holds stud will make a noise as the stud slips and tilts under the weight.  It can have a crack type of noise.  I had loon send me new parts, but this didn't solve the problem.  I no longer use a blimp on this pole.  If I need the blimp then my 17' K-tek comes out of the case.  I generally just use my Loon for ENG gigs only now.  I still love it, but that issue was a bit of a bummer.

J. Hemmerlin

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