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- 11 replies
- 2.3k views
Since the competitive bid thread went here... I drew up this contract based off Noah's - fits on one page, which they like. Thoughts? Equipment_Rental_Agreement.doc
Last reply by FSBELLA, -
- 2 replies
- 1.1k views
Hello, I have recently come across several projects that had a theatre play in it (big theatre, sound reinforcement is assumed). Just wanted to know from those of you who have live theatre sound experiance, and whoever else wishes to share what the most common default hardwire microphone setup was. I've seen all sorts of things long and short shotguns from above, from below (just off the front of the stage), PZM's (bad idea), etc. thanx, Bartek
Last reply by Andrew Bellware, -
- 10 replies
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Hello out there!... I was wondering if anyone has had any problem with these batteries (iPower rechargeable 9V lithium ion batteries). We've just started using them on a TV series and though I love the idea, our comtek recievers are not always switching on with a fully charged 9V. Today one of our Lectrosonics 'Spuds' (wireless boom transmitter) wouldn't power up either... Throwing in a Procell would always remedy the situation... Bad batch, or is there some arcane power fart going on? I've had similar skittish behavior with non-rechargeable lithium double A batteries in TS 3 slates as well as my alarm clock at home. Not so with regular alkalines... Am I on glue? Thx…
Last reply by Michael P Clark, -
- 6 replies
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I am trying out the Bluebottle.com online email system just to see how well it works. Using it now only on one of my less used email accounts. For those who don't know about Bluebottle (and there are other services that do the same) works on a challenge - response procedure. This method definitiely works, no two ways about it, but it does put up an obstacle (isn't that the point) to all those who wish to send you email, including those from whom you wish to receive the email. When you send an email to any of the protected addresses, the system sends out a verification notice to the sender's email where they need to verify themselves (via a link through your web browser) a…
Last reply by Jeff Wexler, -
- 14 replies
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All, I have booked what promises to be a pretty remarkable documentary shoot six months from now, which will involve 10 weeks or more in the Amazon Jungle, specifically on a boat on the Amazon River. We're shooting a guy who is going to swim the entire thing. Besides the questions that immediately arise, like "What if the guy gets eaten?" I am pressed with a bunch of questions concerning jungle work. I have the whole international travel part covered, but anyone who has shot in the Amazon, I'd love to hear some of your stories, and/or problems that arise, and how you tackled them? I have worked in many environments, hot, cold, humid, dry, but never a rainforest. I'm t…
Last reply by gpiegari, -
- 1 follower
- 35 replies
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This is one area where I still find myself taking a bit of a regular kicking on occasions, you know the one, Takes 1 to 6 ok for sound, but still no good for camera or actors or DP, Take 7, excellent all round apart from the wind damage that killed the take for you. Over the last 20 years I have tried many methods of protecting lav mics from wind, Its always a trade off between size and protection, so the purpose of this post is to promote the sharing of our ideas to achieve the best use wind cover on lavs. Regards Brian
Last reply by JDirckze, -
- 4 replies
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First post. Glad to be a part of this forum! I got some not very good news the other day and wanted to find out if anyone else was going through the same thing and what their feelings were. I am starting a single camera series on the Radford lot and was told last week that for all new television shows on the lot this year CBS Radford would be supplying the sound package. I have heard in the past that they supplied audio for the multi-camera shows but this is the first time they are doing it for single camera. With Warner Bros. being the last of the studios to do this, it is sad that we have taken a step back. I, like most of us have spent the last several years build…
Last reply by FSBELLA, -
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- 984 views
What are we gonna do when these start going off during a take? http://www.popgadget.net/2007/06/puchipuchi.php
Last reply by Daniel McIntosh, -
- 1 follower
- 0 replies
- 1.1k views
Hey there, gang. I recently threw together my own (highly subjective) 10 Commandments of Sound for Picture on my blog, syncsoundcinema.com. Since the point of the blog is to be a resource for indie filmmakers and audio newbies, I'd appreciate any comments and/or constructive criticism from some of the more experienced folks out there. The list is split into two parts. Part One: http://www.syncsoundcinema.com/2007/06/fifteen-drops-tabletten-ten.html Part Two: http://www.syncsoundcinema.com/2007/06/fifteen-drops-tabletten-ten_24.html You can either leave a comment on the blog entries themselves, or drop me a line at syncsound@gmail.com, if you're interested…
Last reply by syncsound, -
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WHO NOWS THE SUPPLY OF A SOUNDCRAFT GP 1 CAN I USE STANDARD PSC 12 V OR DO I NEED 28 V THANKS
Last reply by funkybiker, -
- 5 replies
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I was hoping that perhaps more mixers, especially the more influential ones, can start to call their Utility Sound Person the "Second Boom Operator", when appropriate. It's something I've begun to notice popping up more and more in the credits, and Willie Burton thanked his Boom Operator and Second Boom Operator in his back room interview at the Oscars. I plan to ask that my third get that credit on future projects. The reason for this is two-fold... Typically, especially on television, with there rarely being one camera at a time and with many shows having large ensemble casts, the utility person is required to be a skilled boom operator. And also, with larger c…
Last reply by Alien, -
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Got an interesting call today. A show I did with 4 Sony SDX900 HD cameras is using the camera sound (naturally) and called me because they had tone on one of the cameras, and needed to put the "backup" audio into the mix. Since the cameras were rolling 23.97, the post sup, and DIT both signed off on doing 29.97 for the hard disk recording. Now they're complaining that it won't sync. Any thoughts on how to correct this without saying "You're using the wrong audio in the first place" ? Thanks, Tom
Last reply by Charlie Parra, -
- 2 replies
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I know most of the posters on this site are Cali folks, but has anyone here done any filming at the United Nations in the past couple years? I have a shoot coming up on wednesday, but I am completely unfamiliar with what conditions I am going to have to handle. For example, is it going to be an RF nightmare? Is there a house PA system that I can plug a spare recorder into? The filming is for a doc and my understanding is that they are going to rolling both video and film. I will definitely leave any scissors and cutting utensils at home, no point in loosing a leather-man at the door. My producer told me that it is very unlikely we can get much of a walk-thru..…
Last reply by greg sextro, -
- 5 replies
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Just finished a shoot where the talent was doing some really crazy stunt and of course was wearing one of my UM400 beltpack with a Lav. Right after the shoot, the production assistant comes to me with a list of paper that i have to sign for insurance purpose. They were stating that i was entirely responsible for my equipment and all accident including crazy stunts. Plus it was stating that this was valid for a full year. I didn't sign. I waned to know what is the general rule on this. I would believe that if something gets broken on a shot, production is responsible for repairing or replacing the item.... Should i prepare a paper to get signed by production before …
Last reply by David Waelder, -
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Is there anyone amongst our members here who would be able to help me in putting together a high end video editing system for son. I jave put together many systems in the past but I am not totally up on some of the latest products. I am very clear on the host computer which will be a Mac Pro (as full blown as we can afford and will be using Final Cut Pro Studio 2) but not so clear on some of the other necessary components. Important items in the class of things like the recently mentioned MOTU video interface (not shipping yet) which compares favorably to the Aja io/HD (also not shipping yet). Contact me directly if you really know this stuff. Source material, at this p…
Last reply by Marc Wielage, -
- 27 replies
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Yeah yeah I know, here we go again... I bring curtains but the DP's don't want them in the way of the action. I use lavs and a Schoeps CMIT5 simultaneously, which is about the best shotgun to suck out the room, yet still the verb is there. It's workable (I'll take it down with some downward expansion), but again still not quite "dry". <sigh> Anybody have any other ideas on how to tame the green tub?
Last reply by David Waelder, -
- 30 replies
- 84.9k views
Hello, I was just looking at Oleg's pictures and the fact that the boom op had no headphones jolted my memory. About two years ago I boomed on a film where the mixer asked me not to wear headphones. We were doing dialog scenes, and whille I always respect and value the approach of the sound mixers I work for, I couldint help to think that this was a strange way of doing it. As a mixer I always have my boom ops "on the air" not only for the fact that they can critticly judge their work but also for communication reasons. Also I have ran into the no boom op headphone issue whille going through the behind the scenes of various films. I was just wondering how people out…
Last reply by Doug Brandon, -
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Hello, Does enyone have any ideas on how to deal with these noisy incects. This year happens to be an exeptionally bad year as far as cicadas go in the Chicago area. I have heard of people using high frequency radios (the kind you use to confine your dog to your back yard "invissible fence"). Any other suggestions?? Best, Bartek
Last reply by BVS, -
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These are samples of labels I prepared for "Rush Hour 3". One label goes in behind the clear plastic sleeve part of the ProLine DVD case, the other label goes on the padded envelope for the daily transfer facility. - not to scale - - JW
Last reply by Marc Wielage, -
- 6 replies
- 1.7k views
About 15 years ago in a UCLA extension class I saw a short film about foley work. Initially it showed the action of a person breaking into a building and stealing gear while avoiding confrontation with a security guard. Eventually it pulled back to reveal a foley stage and the foley artists creating efx while viewing the film on a screen. It cut back and forth several times until the finish. Is anyone familiar with it? I would like to know the title and possible source of a copy. Thanks. RB.
Last reply by Rob Braxton, -
- 1 reply
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My next movie starts on location in Greece. Specifically the island of Santorini. Does anyone have experience shooting there? I'm wondering if my wireless mic. frequencies (Block 26 / 668 mHz to 686 mHz) will work there. My comteks are PR-216's. Thanks, Michael Barosky
Last reply by Tom E, -
- 0 replies
- 918 views
Hi, I'm starting a new european featurefilm, shooting with a arri lite 35mm camera. I know it doesn't have 'onboard' timecode but there is an acc called the 'in camera slate' has anyone used this to automatically sync Audio (DEVA V BWF files) with the picture ? or has anyone experience with this box ? and tips , do's and don'ts ? Best regards Jan Deca Brussels, Belgium
Last reply by jan deca, -
- 5 replies
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I'm looking for either a link or the title of a short film where the First AD basically brings set life home. I think I originally saw it here or on ramps but i'm having no luck with my searches. Thanks.
Last reply by Brian Maier, -
- 16 replies
- 3.6k views
He guys, what is the best suspension system for a CMC5/MK41 mic. I am using it for indoors boom, and move around quite a bit. Handling noise is a big problem. I roll off all the low end using my 442 locut filter but there is still a mid frequency clanking sound that is not really cool. I currently use a Sennheiser clip that has two rubber mount ( not the one that suspend the mic ) but it is not working out. PLease help..... Thank you Pascal
Last reply by Matti, -
- 0 replies
- 953 views
just wandering! I sopose that this mainly applies to the feature / comercial guys. anyhow, I m very curious. regards.
Last reply by Bartek,
