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  1. Curious if any of you guys have found any unexpected "household" items that can be repurposed somehow for live sound applications (ie. on the road, in the shop, load in, etc). Always on the look for useful hacks! Thanks
  2. I've successfully use my F8-ZOOM and Sennheiser G3/G4 lavaliers on several outdoor assignments resulting in very clean audio capture. I recently used the same F8-ZOOM and G3/G4 lavalier setup in a indoor setup where there was a panel of professional people at a table discussing their specialty topics. I took every professional precaution that a good audio person should take, including "Scan New Frequencies" on location prior to video rolling. Even though there was quiet on the set after the call of "ACTION", because of the shear boredom of the panel discussion, several crew membe
  3. Hello all! I'm interested in what tracks you all are using to demo PA systems and familiarize yourself with a system you're about to engineer on. I understand the idea is to use songs you are very familiar with this way you can quickly determine certain characteristics of a new system. I realize that this is not a replacement for measurement. Here are a few tracks on my current playlist: Fragments of Time - Daft Punk Bad Blood - NAO Pulp Culture - Thomas Dolby Rainmaker - Keb' Mo' Africa - Toto Higher Love - Steve Winwood Dreams - Fleetwood
  4. Hello, i just found out that there will be a new camerasystem from Sharp: http://www.sharp-world.com/corporate/news/171107_2.html The interesting thing to me is, that the camcorder will have a MADI audio input? https://en.wikipedia.org/wiki/MADI So I really wonder why a camera should have an input like this? Who records more than 50 channels in one camera? Anybody knows why to use this input? What are use cases? Perhaps it is for big sport events? Thanks for your answers and greetings from germany.
  5. Hello All, I would like to know if it's possible to get cleaner audio from a lav receiver to a Zoom H4N/H6? Is it possible to plug a 1/4 plug from the lav to the Zoom instead of the XLR to get better audio? Thank you.
  6. Hi All, Post Production Audio Question: I have come across some post audio workflows and the topics of submix, buses and loudness normalization. It's a side of post audio I have not seen and it does provide cleaner and fuller audio, but I do have some questions about this workflow: To do the EQ, noise reduction, desses, etc.. for each audio clip is better to do a submix bus for each audio clip and do the EQ and other stuff OR do a submix bus for that one track and do the EQ and other stuff? and after the submix bus then do the loudness normalization? Any answers a
  7. Hello, I am a newbie in audio and would like to get on set experience on audio department. I would like to start as an audio PA and work my way up to boom and to mixer. Based in NYC. Thank you.
  8. Hi, I've been running with Sennheiser G3's so far, and I'm thinking of upgrade possibilities. I've formerly used rented Lectros, which are always nice (except that one time they were popping all the time, this apparently had something to do with incompatible DPA lavs), and also have a Nomad so if I had a lot of money, Lectro or Zax would obviously be a sensible choice (then again I hear about people in Finland having trouble with Zax wireless, I wonder if that's already sorted out). However, two Audio Ltd Tx's and their dual channel diversity receiver would cost me around 2000€ less than a
  9. I recently dropped and NP1 on a shoot, and found a crack on the shell that exposes a bit of the battery near the connections. For now, I've carefully super glued the thing together, but I know that wont last. Is it possible for me to just buy another NP1 plastic shell to re-house the battery? Is that even possible to swap it?
  10. Full Time audio work available. OB/Remote sports production and EFP/ENG focus. Great benefits. Associate Audio Engineer position in NE
  11. Hey Guys, Just a quick question, I have been reading about on set music playback in the forms, and I couldn't find how exactly to make a Timecode Audio Track in Pro Tools. What do you guys use to generate that audio? Third Party plug in? In Pro Tools method? Standard audio files that you use over and over? (I have PT9 on a iMac.) Thanks guys
  12. Hey all, I was searching around before posting this, but I couldn't find it immediately (I hope I didn't miss a big thread on it). I notice that I'm recording audio from laptops more often than I thought I would be (all for broadcast work where a subject is sitting at a laptop listing to some random audio). The producers/camera man just ask me to lav the laptop speakers, but that creates various other problems including just bad quality. I would love to find if there's an aux > lemo5 or aux > TA-5 so I could just get direct audio out of the laptop and hook that up to a transmitter. Now,
  13. Recently, the rapper Jay Z relaunched the subscription streaming music service Tidal, which includes the option to listen to high-definition audio for $19.99 per month. Tidal's HiFi, with its uncompressed audio files, promises a better listening experience than any other streaming service on the market. Many listeners cannot hear the difference between uncompressed audio files and MP3s, but when it comes to audio quality, the size of the file isn't (ahem) everything. There are plenty of other ingredients to consider, from the quality of your headphones to the size of the room you're sitting in
  14. This is the 1st part in an ongoing weekly series looking at the audio post production workflow. We have enlisted the help of top end professionals in their respective fields to walk us through what they do and sharing some tips and tricks along the way. The series will be based on TV drama in the UK and these days takes a lot from the film workflow but also a lot of what applies is very similar in other genres all be it not on as big a scale. Part 1 - Assistant Editor, preping sessions Part 2 - Assistant Editor, preping sessions Part 3 - Dialog Editor, setting up dialog sessions
  15. Hello all, I recently discovered this forum and am learning new techniques/knowledge each time I log on and read. I wanted to reach out and ask for any advice anyone can lend? I'm based out of Austin, Texas and have primarily worked on shorts, several independent feature films, a couple of feature documentaries and am looking to take that next step up the metaphorical job pole that is the film industry. I'm a hard, disciplined worker who is always willing to learn new and innovative ways to capture the best audio possible. If anyone in the Austin/Central Texas area is in need of a bo
  16. Captain Chris Wade and the SeaWatch SharkBoat is about to leave US waters on a mission to save sharks in Costa Rica's beautiful Isla de Cocos with a crew of 10 and boat full of GoPros, Canon 5D's, DSLR's and Final Cut, ProLine, etc... Every moment of every day will be documented. On the Boat (handheld and fixed), In the water (drones and diving), in the air (drones). This is a self funded production in conjunction with The Shark Research Institute and SharkBoat.org. Does anyone have any suggestions as to individuals seeking a write-off to a 501c3 for 2014 in exchange for some used
  17. Hello all, Just completed these videos last week and thought anyone interested in the L Series products might want to take a look. LT and LMb transmitters: LR receiver:
  18. I posted this on my blog today. You are welcome to check out the post with all the pictures attached if you like here or read below: ---------------------------------------- I recently got a Schoeps CMR. It is a single cable solution for connecting a bodypack to a Schoeps MK series capsule. I'd like to start off by saying that if you love the sound of the Schoeps Modular MK series capsules as much as I do, and also use them for your primary plant microphones (in cars, on desks, etc.) you will LOVE what this product does! There were two ways (before the CMR) that we woul
  19. Just wondering if anyone is watching/listening to the world cup this year? I see bigger rycotes on the ground by the nets, in the corners on the sidelines. You can hear it all from the crowd cheer to a kick of the ball. Just interested - thanks!
  20. Hello, I am getting two sets of audio ltd 2020 radio systems and have a choice of either sony or a tram mic. What would you say about them and which is a better value you think? I already have two micron sets with dpa 4060 lavs and so i am used more to their form factor. Which one sounds better with audio ltd systems in your opinion? Thanks, Bartosz
  21. Howdy People!, I have a set of Audio Limited 2040s which have been replaced buy my new Lectros [smqv and sbr] and i am considering using the 2040s as a wireless link to camera. Now i dont do very much wireless to camera so i dont have very much access to fiddle with a camera but i was wondering if anyone here uses the 2040s for that purpose and what tips and methods you peeps recomend. I have tried to find something on the site but i cant seem to find it but am more than happy to read off another link if someone knows where it is. Just so you know i am using a 744t 442 combo with now 2 le
  22. Hi guys! I was in a meeting about an upcoming TV series yesterday when the producer dropped in the old "oh and we'll get the presenter in a swamp and he might dive in." Having never been presented with this problem before, I thought it best to ask those who may have. Based on this conversation, I imagine I'd have to purchase a water-resistent transmitter, but how best to protect the lav when / if our guy gets submerged in muddy water? Any help would be appreciated! Cheers, Eren
  23. So the bottom of this NP1 cup has been peeling back over the last few months, but I've been taping it down as a workaround. Has this happened to anybody else? I'm wondering if it's worth returning it for a replacement.
  24. Hey There, I have a Professional 442 Mixer and a Korg MR-1000 - 1-Bit Professional Digital Mobile Recorder for $1500 OBO. 1-bit Future-Proof Recording 40GB Internal Drive XLR/TRS Combo Inputs XLR and RCA Outputs USB Port Specs Here for the Recorder: http://www.soundonsound.com/sos/mar07/articles/korgmr.htm http://www.bhphotovideo.com/c/product/485879-REG/Korg_MR1000_MR_1000_1_Bit_Professional.html Mixer is included as well! Thanks for your time and have a great day! Nick Text or e mail 323-456-3580
  25. Hi, I have an AES breakout cable (terminating in XLR) for my Nomad and also the Remote Audio mixer cable for Nomad. I'm wondering if it's possible to successfully and reliably transmit an AES signal through the Remote Audio cable? It would be into a Sony XDCAM (don't have one handy for testing). I think I remember reading somewhere a good while ago that it's possible to run into problems running an AES signal through "regular" audio cables, so I wanted to check. Thanks!
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