Equipment
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Has anyone used the DJI Mic 2 as link to camera, for scratch track? or another similar system such as the Hollyland system. Is so, what are your thoughts and experiences. - What cables are you using for input into the transmitter from a bag mixer? - what is the input wiring on the TRS? - Which cable for receiver to camera, xlr? thank you.
Last reply by codyman, -
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- 9 replies
- 709 views
Hello everyone! I’m having some creaking sounds with my K-Tek harness, they produced in the upper back part wich connects to the back support. I wonder if anyone else is having same issues? 🙏🏻 IMG_9319.mov
Last reply by Izen Ears, -
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- 77 replies
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So I will order 2x TritonAudio - FetHead Phantom This will add 18 dB amplification/gain to my condenser mic and preamp And I will make a separate theme so as not to interfere another ‘Sennheiser Previews MKH 8030 figure-of-eight’ theme that is under way. I want to make several tests: 1. Using two Fetheads in the same chain (for shotgun Schoeps MiniCMIT GR) So I will get 18 dB + 18 dB = 36 dB Extra gain. I would like to use it to record from far away, for example in a zoo where I can't go very close to animals. 2. Using them for stereo microphones to get extra 18 dB (for my Shure VP88, two pcs are needed for this stereo microphone). Planned to re…
Last reply by Wandering Ear, -
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- 1 follower
- 12 replies
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Hi Everyone, I recently purchased a Scorpio recorder and am researching bags. Was curious if you would share that you use and what you prefer? Thank you !
Last reply by Jack Pender, -
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- 152 views
After months of inactivity, today I powered up my Venue 2 only to get a blue screen. The unit actually works(I found two of my transmitters were still tuned to their frequencies). I imagine this can't be good but I wasn't sure if there was a solution(do a reset, etc) . Any advice? Thanks, George
Last reply by George, -
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Hello all, Since I upgraded the firmware of my MCR54 to the latest v2.4 the auto setting of the 4 receivers allocated frequencies after a scan is very often wrong. Whether I am doing it from the MCR54 directly or from the SL2 menu it does allocate automatically frequencies that are too far from each other and exceed the 32Mhz limitation bandwidth, causing the rx led to blink red, forcing me to change the problematic ones manually. I did not have this issue before that firmware since it always choose the best frequencies within the 32Mhz bandwidth. I do not find a way to force it to choose correctly... Am I missing something?
Last reply by Fred Salles, -
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- 12 replies
- 2.7k views
Hi all! Happy 2023! I am curious if anyone has any experience using the Lectrosonics DSR4 and how it compares to SRC / 411 performance or Wisycom MCR54 performance? I have been wanting to pickup some Wisy's for the range and BT functions, but would be curious to hear thoughts here first!
Last reply by EnotsMedia, -
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- 850 views
Does something as an attenuator for lav mics exist. I was trying the rode wireless go II and used the internal mics. Audio is totally clipped - even in the internal recording - although the attenuator was activated. (I think its only 3db). Now I tried to connect an external mic, but it still clips very soon. Is there a way to connect an attenuator to the lav mic so the input signal doesnt clip in the wireless go ii? I know its not an ideal solution..
Last reply by Magic Matt, -
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- 11 replies
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I'm about to jump into the Lectrosonics universe, and wondered if people are still loving the DCR822 now that it's been out for a bit? Would you recommend it over the LR? I just used the SRc and didn't really like it, and am leaning towards either the 822 or 2 LRs - to pair with 2 SMQVs or other digital hybrid Txs. This would go in my bag for location sound mixing. Thanks!
Last reply by rosa, -
- 2 followers
- 7 replies
- 904 views
Who wouldn't want their boom to be even lighter? The new Deity S Mic3 and S Mic3S are out. All the goodness of the S Mic 2 but now even lighter. (by a lot! The S Mic3 is less than half the weight of a NTG3 or 416, the S Mic 3S is nearly half the weight of the S Mic3) I like also that you can buy the Deity Windshields separately as well (there are two versions: W01 & W02, shorter & longer), and only $25 each. Should also be compatible with a lot of non-Deity mics as well. https://www.newsshooter.com/2024/05/31/deity-releases-the-new-updated-s-mic-3-and-s-mic-3s/
Last reply by Display Name, -
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I was in the middle of a 7-input music recording yesterday and I looked at my, what? 16-year old, 788T and wondered to myself. How did a fledgling company like Sound Devices manage to put into production such an unbelievable piece of kit? SMH. Goes in the Hall of Fame along with my 1989 Volvo 245 wagon; 485,000 miles on the clock. Wow! D.
Last reply by codyman, -
I've seen this happen to a number of Petrol brand products over the years. This is probably the worst case that I have yet to see. I went to grab this XL audio bag cover for a challenging outdoor week long gig, where I knew we'd be dealing with some rainy production days. I pulled the Petrol cover out of the canvas storage bag (which by the way was in excellent condition) to reveal this sticky, yellow mess with half a dozen holes. Needless to say, I went with clear garbage bags instead. All my equipment is stored in a climate controlled studio, while not in use. Gear is always disassembled and dried, after challenging production days. Granted, this cover is ar…
Last reply by The Documentary Sound Guy, -
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I'm working on a reality show and am using MTP61 and Tentacle Sync. I can't find a way to do the jam through the Wisycom BT app? Is this even possible? The contestants wake up with the devices and I have instructed them to turn it on themselves because we have two smaller teams working when I'm not. Currently the solution is I come with my mixer and Tentacle close, and push Jam manually (physically) on each transmitter in the morning. I would like to do this through Bluetooth on the app. I can toggle Rec through it, but still have to jam physically. Is there a solution?
Last reply by Matt Geldof, -
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Hey Guys, I often use a pair of NT5's plugged into channels 1 and 2 of my 833 with balanced cables in XY for recording ambiance. I find that they quite often pick up interference from mobiles/radios with beep beep beep data noises. Has anyone else had this issue? Did you resolve it? Any recommended ambiance mics that don't do this? Thanks
Last reply by tombartolac, -
- 1 follower
- 17 replies
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Johan Hellsten posted this to YouTube yesterday: Easyrig Boom Rig Release Video The price is US$2200 with vest. Gotham Sound (Nick Huston) discussed the product with Hellsten at NAB yesterday. From 8:50:
Last reply by Tong0615, -
- 2 followers
- 5 replies
- 901 views
Will this change how IATSE feature film and Episodics handle IFBs on the set? No. Indie films, documentaries, corporate & smaller productions? Yes. Just announced by Bluetooth spec group's multi-stream audio called Auracast™ broadcast audio enables an audio transmitter, such as a smartphone, laptop, television, or public address system to broadcast audio to an unlimited number of nearby Bluetooth audio receivers, including speakers, earbuds, or hearing devices/next-generation assistive listening system (ALS) technology. Auracast will allow a single audio transmitting device to broadcast to an unlimited number of nearby receiving devices. share …
Last reply by PCMsoundie, -
- 5 followers
- 31 replies
- 7.1k views
Decided it’s time to invest in my first wireless system. First I was looking at the Audio Ltd A10 system but with the introduction of the A20 and dropping of the Audio Ltd branding and then the recent company buy out I’d pretty much decided on a Lectrosonics DCR822/DBSMD combo. Then, by complete accident I stumbled on a Sound Devices YouTube video about the Shure ADX5D and with some quick searching it looks an amazing system but there is virtually no info/reviews on the web and more puzzlingly no mention of it on here. Anyone seen, used, own or can share any experiences compared to the usual suspects and reasons not to look further? …
Last reply by JesseF, -
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Hi All, I (like many other sound mixers have experienced I'm sure) am currently debating whether to upgrade to a Nova or 833 + SL2 and have a couple of queries about powering an 833. According the the manual, the 833 draws power from the available sources in this order: Batt1 >>> Batt2>>>> DC>>>> TC Batt. If all power is lost, can the TC battery power both the unit and SL-2 for a few minutes in order to hot swap batteries. If so, approximately how long does it last in your experience? Personally I would much prefer if the 833 prioritised the DC input over the L batteries (only when using …
Last reply by EnotsMedia, -
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Now that we’re in 2023. This fine unit’s life cycle is going on 9 years old. Has anyone heard of an imminent update? Thanks.
Last reply by igomarsound, -
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Hi, I'm on a big box store commercial that has no dialogue (assuming voice over) and only needs me to boom "nat sound" for all the action happening on camera. The smallest rig I can think of with timecode, headphones, and a mic preamp is a Mix Pre 3 ii in the stingray belt rig. Ideally the boom operator could look down and see his meters and flashing recording lights. The zoom products seem to have a screen on the side. Maybe I could rig a metal frame on a 90 degree plate that would slip onto a utility belt.... Any suggestions on the tiniest mono recorder with phantom power, timecode, and a headphone output?
Last reply by shaheedmalik, -
- 5 followers
- 24 replies
- 2.7k views
Inviting anyone who has shoot experience with the new A20 Nexus system to share their thoughts here. I’ve read the material, watched the videos but I know I have questions that only time can tell things like… - Stability… does it ever crash? - Bugs? - A20 battery life? Is it practical to get 5-6hrs from these if you’re actively managing them? - Nexlink Interference to other film gear? - Transmitter durability -Range! Sound mixers only please! Thanks!
Last reply by NOE R, -
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- 14 replies
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It has alway been recommended that your better off buying older used analog i.e. Lectrosonics instead of new prosumer analog but now that prosumer has gone digital and other features like wide band, BT and low cost is that still the case?
Last reply by Mungo, -
- 13 followers
- 938 replies
- 181.2k views
Any news? New photos? More description? Sonosax site is not showing the unit so far, any info? Thanks
Last reply by David Lipka, -
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- 4 replies
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Hi, finally upgrading from WS4 for my 2x KMR 81i's Should I be pitching my dealer about Piano instead who seems to be trying to avoid discussing it 🤷♀️ e.g. should I be worrying this "lessened" gap between the boundary and the head of my KMR 81i ? Pianissimo would be much more versatile for me than Piano that is granted that opens the path to 8000's and other "minis" (or "modern medium" size now!) outside. Cinela had a facebook post down from 2014 showing "it's possible" - I'm just wondering about the tradeoffs here. Maybe there are some other alternatives I've neglected to check out ?
Last reply by MissFm, -
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For personal side projects I've had these puppies for three years and this is a follow-up to my in-depth tests I did when these first popped up. They still work OK for non-critical personal stuff and as usual with any piece of kit I tested them to death and provided RØDE feedback early on they actually changed a lot of things including providing batch export out form these mics that I lamented one had to export one at a time w/ RODE Central. I've had six or something units "crash mics" but none of them really died off humidity / other "natural" causes 😊 The test runs I did three years ago with a mate and I realised I never posted here -…
Last reply by MissFm,
