Equipment
Board provided for discussions about equipment
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- 7 replies
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I am happy owner of Sonosax LC8+. works great with my 8 series SD recorders-- Has anybody been able to program a DAW to work with LC8+? I'd like to get it to work with Reaper.... thx, j.
Last reply by inspire, -
- 1 follower
- 18 replies
- 3.8k views
So I have an IFB system in block 941 consisting of a T4, 1x R1a and 1x IFBlue. Kind of testing the waters on the IFBlue. It all works well and the sound quality is similar between the two receivers. I would say the R1a sounds a little darker and the quality of the edge-of-range fizz and breakup is softer. I know these are very subjective sound descriptions but there you go. An advantage of the IFBlue is that the impedance mismatch hiss from the R1a is gone. This is also true with the R1b. A problem I notice with my one IFBlue is that it seems to produce random little hits that are louder and more painful on the ears than would be normal on the R1a. I’m…
Last reply by Fred Salles, -
- 1 follower
- 8 replies
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Saw this on Comtek’s website. I have always had issues when using the M216 transmitter and this new antenna advertises to alleviate many of them. It also seems to require a modification from Comtek in order to work optimally. Comtek happens to be about 10 mins from my house so I’m going to pay them a visit tomorrow. I’ll report back. ————————————————— We are excited to introduce our new SLW-216B Base Load Whip Antenna specifically designed for improved performance during bag use with new M-216 Option P7 transmitters. This optional antenna (ordered separately) assists with reducing interference from close proximity to other equipment, helps mi…
Last reply by Ontariosound, -
- 1 follower
- 4 replies
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I have two MixPre II today. One MP3 as audio interface managing recordings of meetings, interviews etc and a MixPre-6 ii for some field recordings, small, simple choirs and some art projects with TC. I often use all four balanced inputs of the MP6 but have so far not felt the need for additional inputs although in often wished the MP6 did have balanced outputs. Now I’ve been offered to switch my MixPre-6 ii for a MixPre-10 ii with $700 in between. The MP10 ii still have warranty and is barely used at all. The seller says it was a bit too much for his need. So even if I really don’t need one as of now - is it the right step anyway and too good …
Last reply by Display Name, -
- 1 follower
- 2 replies
- 440 views
I’ve just purchased a midi fit and most of its implementation I’ve managed to work out. One thing I haven’t is the control modes specifically the bus send mode …. It’s supposed to be utility button on and button 4 to engage but I can’t see how to select the the bus and use faders to create a prefade IFB mix….. Any clues or point me to a place that has a detailed instruction cheers Ant
Last reply by Simon B, -
- 2 replies
- 504 views
I just got boned by the airline when flying to Israel with my gear case. Looking to rent a boom mic, cable, shock mount and possible c-stand in Jerusalem. If there are any sound colleagues in the Jerusalem area that can help me out, you would be a life saver! Feel free to email me at: locationdigitalsound@hotmail.com Much appreciated! Dee
Last reply by dsound, -
- 2 followers
- 25 replies
- 6.2k views
Hello all. someone knows if Sound devices is going to discontinue the 833 ?, we need to buy a new recorder, and i don't want to buy a unit that's going to be discontinued soon. Paranoia? may be. Sonosax, is the other option to me but more expensive, and propietary ( beautiful) surface control. Any other recorder on this 7K that worth the pain? Cantar mini is gone.....f&%$! The Nova, if it's the only Zaxcom product on the cart, makes sense?
Last reply by axel, -
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- 1.8k views
What are the best gears for recording fighter aircrafts and planes, specially microphones with their purpose and the techniques could be used to do so.
Last reply by inspire, -
- 1 follower
- 6 replies
- 2.6k views
Full version with photos on my website: https://documentarysoundguy.ca/np-50-bt100-battery-life-comparision-in-zaxcom-zmt-zmt-x/. I want to share some battery tests I did with the two Zaxcom ZMT transmitters: ZMT4 and ZMT4-X. The ZMT4 advertises "up to 7h" battery life, and uses NP-50 batteries (same as Lectrosonics SSM). The ZMT4-X advertises "up to 16h" battery life, and uses Motorola BT100 batteries (only used by some unusual Motorola walkies as far as I can tell). I measured battery life by putting the transmitters into record, waiting for them to die, and then ingesting the recorded files. The length of the recording is the time I used for batter…
Last reply by The Documentary Sound Guy, -
- 3 followers
- 5 replies
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I am doing a working Demo of Roger.. The range is a bit less than i thought i would get.. Using roger base station connected to RF- Venue CP Beam antenna +12db 2.4GHZ- using very short coax cable. Any user tips that i can help me extend range? Besides some sort of repeater.. With the tools i have. thx, j
Last reply by Trey LaCroix, -
- 1 follower
- 9 replies
- 2.1k views
Looking to get an 833 and wondering if the SL2 has been a good addition for people? It’ll be with 2 DSR4’s. Thanks! Steve
Last reply by Matt Radlauer, -
- 1 follower
- 15 replies
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I'm looking to buy four to six more lavs for corp and doc work. These will likely be submersed in salt water, subjected to heavy smoke, and possible stolen. Though mostly just used as everyday lavs. Sure, I care about audio quality, but I'm not thinking DPA right now. I own and am familiar with Countryman B3 and Sanken COS-11 lavs (as well as several others). I know of some of the options. But I'm looking for hands-on and ears-on experiences. What others have people here used in the US$150-$300 or so range and been happy...or at least satisfied...with?
Last reply by Mattias Larsen, -
- 2 followers
- 14 replies
- 7.1k views
Contacted Sennheiser for noise problem of the MZX8000 that comes with one of my MKH8040s that I purchased in mid-2022. After two months of waiting, I got back from Sennheiser claiming that MZX8000 "has been obsolete and non-serviceable" and encouraging me to buy a new one, an obsolete product that's no longer serviceable by them. It's not only ridiculous but a crime, considering they've just launched MKH8030 this year, which, like all the MKH8000 mics, also comes with a MZX8000 adaptor. This irresponsible service will stop me from purchasing any Sennheiser mics, and I strongly suggest any potential MKH8000 buyers to think twice before you jump in.
Last reply by tourtelot, -
- 4 replies
- 665 views
Hi, Please excuse my possibly silly question: I have here a Sonosax M2D2 and a Sony Alpha 7CII. Is there a way to connect the M2D2 digitally via the MIShoe? Are there other possibilities for digital audio integration? Greetings from Switzerland Erich
Last reply by etiefenthaler, -
- 1 follower
- 3 replies
- 1.5k views
I started hearing intermittent static sounds in one of my UTX-B03 transmitters. Sounds just like an FM radio between stations—comes and goes. Problem presents at locations I recorded in for years with no issues. I ruled out mics, batteries, and power supplies, always sync to open frequencies before each use, and run the OEM Sony locking TRS-XLR cables into my Sound Devices recorder. Compander set to UWP. Firmware is up to date. Sony tech support went through all the troubleshooting with me and concluded it's maybe the UTX-B03 preamp—if I send it to Sony for repair, it's a $155 non-refundable consult + shipping and I will probably end up paying about $275 …
Last reply by greg210, -
- 2 followers
- 8 replies
- 2.6k views
https://www.techeblog.com/thumpy-headphones/
Last reply by Wandering Ear, -
- 1 follower
- 1 reply
- 712 views
Hello, after some research here I found out that some users have mentioned this capsule as on their list of wanna try it but no one never actually gave a report about it. Has anyone actually used - or is using- this capsule on a boom on set? Or even as planted mike? I was going to buy another MK4 but I am thinking of this one instead. (Apart from my stereo sets) I use the MK4 most of the time for planted mike but it happens often that I take it out for boom in interior as well, rather than the MK41 when the voice is too harsh or for fast dialogue exchange for example. I would love to have feedback on how does the MK22 play on boom? Thanks
Last reply by OB1, -
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- 286 views
Wondering if anyone has the 3D printer file for the clip for an AS-122? They used to have it on their website and I don't see it any more. The new units come with a new steel belt clip included but I can't find one anywhere so far as a separate item, and the usual suspects don't see part numbers for it.
Last reply by Mack, -
- 1 reply
- 469 views
Hello, I purchased a semi functioning Nagra III but have a feeling I might have to sell for spare parts as struggling to fix... I replaced the pinch roller and I have sound from the monitoring outputs on the front of the machine. However the internal speaker has no output and neither does the line out except for a very faint crackly noise - when I press test tone I can just about hear it. In addition the mic input isn't registering my microphone as the modulo displays -10db constantly with no sound output and except for some crackling. I know its not much to go on but does anyone have any ideas before I give up on it Thanks
Last reply by Hyeena, -
- 2 followers
- 4 replies
- 1.9k views
What lavs are people using for TV news these days? Mostly interested in network/national news outlets. Thanks!
Last reply by Tim Norris, -
- 3 followers
- 10 replies
- 2.4k views
I’m curious who has picked up one of the RAD mounts from Radius and what do you think of it? Haven’t seen a lot of discussion about them other than the business side of things which I’m aware of. I’d like to hear from people who have used the new RAD mounts out in the field. I’m a Cinela fan but have also gone with the much cheaper invision mounts for certain mics and have been happy (MKH50 for example which is more forgiving). While I like Cinela mounts for their well thought out features and perfect match approach they are very pricey and I find their full blimp to be kind of heavy and fiddly. It’s great at its job but I sometimes find myself preferr…
Last reply by sfxdude, -
- 5 followers
- 27 replies
- 6.6k views
Hello Community... I would be very interested to know what Headphones you give to the Director and to the Video Village 🙂
Last reply by Fred Salles, -
- 1 follower
- 23 replies
- 3.6k views
Hi all Every now and again when a job comes up that needs it I get exasperated that my SMWBs cannot transmit and record at the same time. Obviously this has been going on a long time and I know why it is but I wondered has anyone heard whether Lectro have the capability, once the patent has ended, to flick a switch that will allow the SMWBs to do this? I do also wonder why I can do this already with my A10 but not Lectros. I'm based in Europe which must be why Audio Ltd has avoided the patent, but I guess Lectro have never found a way to do this outside of the US...
Last reply by Patrick Tresch, -
- 2 followers
- 12 replies
- 3.7k views
[That's a quote from Olle in this thread. I'm replying in this new thread because I'd love to read people's experiences and thoughts on this approach -- Jim] Olle, I might be misreading your thought, but I too think a belt might work since for me (my bags are small (633, a few RX, a TX, etc...maybe something smaller soon). Two belts I know of: K-Tek KSWB1 – Stingray Waist Belt https://ktekpro.com/product/kswb1-stingray-waist-belt/ ORCA OR-370 Advanced Audio Waist Belt https://www.orcabags.com/product/or-370-advanced-audio-waist-belt/ Who here has used belts with bags? How big a bag worked...and what size was …
Last reply by Wandering Ear, -
- 1 follower
- 6 replies
- 2.4k views
I saw this ad on instagram today and it looks exactly like a re-badged Rycote Super Shield blimp. Is Rycote licensing their designs or was this particular blimp an OEM product to begin with?
Last reply by Daniel McIntosh,
