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Dear soundies, I wanted to ask if you use any tricks to estimate the field of view of respective lenses in order to quickly estimate how close the boom & the body of the operator can come to the frame? I assume it comes intuitively with years of experience but I was wondering if anyone has any tips. I've been booming for about a year and a half now and getting better at estimating how close I can get but still need a lot of practise to become more precise & quick at it. I'm doing mostly TV and doco work in which the framing is rarely pre-determined and in which sound dept is only 1 person. On that note : does it ever happen in d…
Last reply by Olle Sjostrom, -
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- 0 replies
- 210 views
Hello sound location enthusiasts! I'm a Brazilian audio professional currently based in Canada, and I would love to hear your insights on a topic that has been on my mind. I'm considering returning to Brazil and am particularly interested in opportunities to work on international audio projects, such as documentaries, news reports, and short films. As someone with experience and knowledge of both Brazil and Canada, I believe that my ability to provide invoices from my Canadian-based company could be an advantage. However, I'm curious to know if international companies commonly hire local freelancers for such projects in Brazil. Your experiences …
Last reply by voxpe, -
- 31 replies
- 6.6k views
Hi Members- Before jumping into the Zaxcom family, I wanted to hear your thoughts on the range of Zaxnet on a Nomad without any additional amplification or antennae. Here's the question: Will Zaxnet (without any additional amplification or antennae) have a better range than my old Comtek M-72 to PR-72's? Will it rival my Lectrosonics 50 mw LMa beltpack transmitter in IFB mode running to Lectro R1a's??? Thanks in advance for anyone able to give me a rough comparison.... -Vincent
Last reply by The Documentary Sound Guy, -
- 5 followers
- 33 replies
- 2.3k views
Has anyone used Comtek as a scratch track for camera? I’ve used ifb R1a before with no issues but with Comtek I can’t seem to get any level. Any input would be appreciated.
Last reply by SonicBoomPole, -
- 4 replies
- 25.9k views
Hi All, I have an older hardwired Audio Technica Pro 7A LAV that I was hoping to use for occasional public speaking gigs ; in emergencies when wireless is a problem. It runs with a hard-wired single AA battery pack. My issue is that AA batteries are no longer fitting into the battery compartment - the battery (brand new Duracell) is too long and therefore too tight to get into the receptacle. I'm afraid to force it in and cause damage. I could swear that when I first got the mic a AA would fit without any issues. Have they started making these current AA's a bit longer? Inside the compartment it indicates a "UM-3" battery, a Japanese AA equivalent? May…
Last reply by Matthew Steel, -
- 3 followers
- 11 replies
- 723 views
Disclaimer, I do NOT want a political / religious discussion. BUT: I've got a request to work for Scientology. If I were in a position to be able to refuse work, I would leave it instantly. But you've guessed, I'm not... Now, where is the line? I could really use some money, but I'm not really comfortable with the idea that my work will help sucking in people into something I call 'bad'. 'No discrimination' does not apply in this situation IMHO. What do you think? @ Jeff, monitor this and step in if this goes off the track.
Last reply by Wandering Ear, -
I bought a used SL-6 couple of months ago but just getting around now to using it with my SRb’s. I’m use to line level +5 on my srb but with SL-6 it has to be -6 db in the slot. I’m having to set my trim around 9 o-clock with my SMQV with COZ-11 set around 18-20 db. I’m finding it to hard to find that sweet spot where the audio level isn’t too low or hitting the limiter once i go up on the trim. Am I missing something here? Sorry if I’m not too technical on my explanations.
Last reply by Peter Mega, -
- 1 follower
- 43 replies
- 6.6k views
Just bought a new 888.. awesome! Duggan mixing, more knobs, more tracts, simply just awesome! One of the features is NoiseAssist.. I didn't understand this because these say it comes with the mixer... but there's basically a unusable shareware version on this, until you buy it again. Looks promising for live gigs! Might come in handy on those live gigs! I got over to the webpage https://store.sounddevices.com/product/noiseassist/ GOOD GAWD!! 2K?? Anyone buy this? It just about doubles the cost of the mixer!! wow. Didn't see that coming. -Richard
Last reply by fuzztech, -
- 2 followers
- 46 replies
- 4.3k views
For news, documentary, corporate, reality, etc., I contend that timecode slates are superfluous. Video cameras record 24/48 audio, and NLEs have waveform sync for backup files. Yet I still see timecode slates used, even for one-camera, one-subject interviews. Thoughts?
Last reply by Wandering Ear, -
- 0 replies
- 368 views
Has anyone used passive and active antenna together with a splitter? I see RF venue has a splitter with one for active and passive. Wondering if anyone has done this set up before and can give some advice.
Last reply by NKL, -
- 1 follower
- 6 replies
- 625 views
Hello, I was on filming on location as the location sound recordist at the Globe and Mail building in Toronto. It is an office space and it was a walk and talk situation with a single person on camera. I was working with a wireless Senheisser G3/G2 kit and had the speaker mic'd up. I was at a distance as to not be caught on camera and I was able to hear the speaker clear with no interference. As the speaker reached to a certain point of the room the audio just dropped out and I could not hear them speaking. Their voice would come back after leaving this particular area. I thought maybe the batteries needed to be changed and the same thing happened in the same…
Last reply by VASI, -
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- 293 views
Last reply by mono, -
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- 278 views
Hello all. Has anyone worked in Cambodia and Laos that can point me in the direction of usable RF spectrum? Is there an official governing body? Any info would be much appreciated. Cheers, Mark
Last reply by Mark, -
- 5 followers
- 11 replies
- 1.4k views
Hello everyone. I invested quite a lot in new gear last year (SD888, Wisycom wireless, more Schoeps mikes, etc...), but, My first big invoice with this new gear, a full kit for a feature shot in October 2022 still has not been paid by the coproducer that employed me. This french production company, for which I did quite a bunch of gigs in the past so i trusted them, got bankrupt just as we came back from the shoot. They paid all salaries but, as often in that situation in France, the suppliers come last of the Lasts... Not sure if that invoice will ever be paid. It is the first time that ever happened to me and it had to occur when I am th…
Last reply by PMC, -
- 3 followers
- 10 replies
- 1.4k views
I have a coming series with some scenes where all female talents are in bikinis having dialogues near a swimming pool. Fortunately, they won't go into the water, but that's the only good thing. The bikini is a big trouble. It's a drama, so if talents are being wired, obviously the lavs are to be hidden, which I doubt can be done. What's worse is that it's a two-cam shoot . If the framing strategy is one for wide, the other for tight all the time, I'm worried that both boom mics won't be able to go close enough. Anyone been in the same situation?
Last reply by Bob K, -
- 1 follower
- 6 replies
- 950 views
Hello everyone! I am currently working on the production of a musical. I’m doing FOH. One of the actresses is moving a lot and on the ground where putting the mic pack on her back or anywhere around her waist seems like a bad idea. Any tips on where to hide the mic pack so that it’s both safe and out of sight. You guys are the best!!
Last reply by nickreich, -
- 10 replies
- 752 views
Since I needed one, and wanted to toy around a little, I've made one. It's intended to monitor levels during recording / live streaming where you want to achieve a specific overall loudness. Mac only at the moment. If someone wants to toy with it, and if possible, compare it with other stuff out there, drop me a line.
Last reply by Rick Reineke, -
- 9 replies
- 2.2k views
hey guys, just saw Cloverfield last night (I know a little late) but I must say Ed White and the post pro's at skywalker did a great job. the audio or sound fx used, properly enhanced each scene throughout the entire film. from the screeching monster, the little monsters to the jets/gun battles and most importantly the sounds NOT scene, little creaks, thuds and the bumps. especially the breathing and the footsteps. every little noise kept me wanting and "listening" for more. I remember a lot was said about the hand held camera work and the pov story line, (think Blair witch) and people were sick at the movie theatres. but I thought it was fine, maybe because I was con…
Last reply by mono, -
- 12 replies
- 3.2k views
August 19, 2014 Object of Interest: The Vocoder By Nate Lavey and Jay Kang The vocoder—part military technology, part musical instrument—has had quite a history. In our new Object of Interest video, we explore the vocoder in settings ranging from - the Second World War to Kraftwerk parties - featuring interviews with Laurie Anderson, Cozmo D, Dave Tompkins, and Frank Gentges. On Vimeo: https://vimeo.com/128279928 Original webpage: http://video.newyorker.com/watch/object-of-interest-the-vocoder …
Last reply by mono, -
- 3 replies
- 844 views
Hi all FYI, new updated edition of Mike Williams's books, including new chapter on 3D audio. "WilliamsMMAD - Stereo, Surround & 3D Audio" Just bought, but not yet read, seems quite interesting... https://www.williamsmmad.com/Books/Books.html
Last reply by The Immoral Mr Teas, -
- 2 replies
- 614 views
Hi, I have friends with old ADATs that need fixin'. The ADATs, not the friends. Got any reliable sources? I saw these guys in LA, but am clueless. Phone: 818-754-0467 Email: info@audiodesign-service.com Address: 2625 N. Ontario st. Burbank, CA 91504. Hours: Mon-Fri 9AM-5PM PT Thanks in advance! Ty Ford
Last reply by EmRR, -
- 0 replies
- 316 views
Last reply by mono, -
- 1 follower
- 12 replies
- 1.1k views
This is a work Paradigm question. I've got a SD888 in which Ive been using for my "run and gun", interview, or reality/news gig jobs. But I've been using the SD888 with logging on it with my phone. Settings folders, file names, takes, and notes. At some point I thought to myself. I think I can just boom this, strap my iphone onto my boom pole and remotely operate my entire SD888 from a chair off set. Do I even need my bag while holding the boom? I mean, if I got the levels dialed in and set... I could in theory just sit here with my boom and iphone standing here. Just wondering anyone's take on a workflow using several iphones strapped to my boom op. …
Last reply by Dalton Patterson, -
- 8 replies
- 2k views
Complete album: 'Virgil Fox -Wanamaker Organ' https://www.youtube.com/watch?v=bybbWv6POmg A You Tube index playlist of some other organ performances: https://www.youtube.com/user/docbower/search?query=wanamaker
Last reply by mono, -
- 1 reply
- 432 views
Blacklist s7 e13, the bad guy went insane from industrial noise, and sought vengeance to those responsible. A possible future?
Last reply by The Immoral Mr Teas,
