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Equipment
Board provided for discussions about equipment
9,432 topics in this forum
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https://www.sankenmicrophones.com/production/shotguns/cms-50/
Last reply by jerdd00, -
- 4 followers
- 8 replies
- 1.6k views
This has already been posted to some effect on a couple of FB groups, but there are folks here that don't journey into the meta. My cart for the last many years was much larger as it housed a much heavier and extensive amount of components. I kept using the rig even as the gear became smaller and was capable of even more functionality. I decided it was time to re-think my set up and look for a more ergonomic and smaller footprint. I wanted a standing rig (yes, I sit during set ups and when not mixing), and something that would be more nimble in getting into tight spots. Looked at several different manufactures and custom cart rigs and settled on…
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Last reply by Michael Wynne, -
- 1 follower
- 2 replies
- 299 views
Hello! does anyone know what could be the issue on receiver below? Both receivers are 411as block 26, both through the same antenna distro, the same antenna models, both with new cables (and I even tried with others but the receiver from below always shows more rf pollution. Thanks in advance, Axel. IMG_4684.MOV
Last reply by Ontariosound, -
- 1 follower
- 6 replies
- 533 views
Recently I was tasked to do a live PA mix for Netflix of a 12-piece string ensemble. In the past, they'd had other engineers use 6 SM-57 on tall booms to mic this orchestra. I decided close-miking for an outdoor venue (a soccer stadium) would be better. I used various mics in my inventory for the task - Audio Technica AT35 and ATM350, DPA4099 and Countryman. All except the DPAs could be considered lavs, with a diameter of 10mm for ATs and 8mm for the Countryman. Because this was an outdoor venue and the performance was getting on sunset, the breeze was significant, and my issue was the uselessness of the foam windscreens for all those mics, includi…
Last reply by Ira Seigel, -
- 1 follower
- 14 replies
- 1.4k views
Hi I'm interested in acquiring an original cantar x and was wondering, if the hard drive was replaced, how reliable the machine would be. Any information regarding its reliability would be greatly appreciated. Thanks James
Last reply by Dejan Ceko, -
- 2 followers
- 24 replies
- 3.2k views
I have a need to add 3 more mic pres to my 633 for some gigs. I saw that Kortwich makes the M3 for kind of exactly this purpose, can anyone comment on the sound of their mic pres? Similar to that of the 633 or really different?
Last reply by johngooch, -
- 11 replies
- 7.4k views
Hi! I've noticed that this mic is never mentioned by the people here. Personally I use one from time to time and I find if a very useful tool when i wanted ambience AND dialogue, when I have to record groups of people and for atmos too. Anybody uses it?
Last reply by TVPatchGuy, -
- 5 followers
- 8 replies
- 1.6k views
Hi all! Happy 2023! I am curious if anyone has any experience using the Lectrosonics DSR4 and how it compares to SRC / 411 performance or Wisycom MCR54 performance? I have been wanting to pickup some Wisy's for the range and BT functions, but would be curious to hear thoughts here first!
Last reply by Eric Lau, -
- 2 followers
- 3 replies
- 502 views
Hello to all of you, I am interested in your experiences with HiDyn plus systems (such as SK 50, SK 250, SK 3063, SK 5012, SK 5212 SK 5212-II, bodypack and SKM 5000, SKM 3072, SKM 5200, SKM 5200-ii handheld), there are also various receivers (such as EM 1046, EM 3732 rack mount, and portable EK 3041, EM 3241, EM 6042). I heard somewhere that Sennheiser SKM 5200-II/SK 5212-II with EM 3732-II can sound better than WIsycom. And I would also like to ask if anyone has some raw audio recording to upload them, I would be very grateful. Thanks everyone in advance.
Last reply by Morpheus, -
- 1 follower
- 1 reply
- 178 views
Has anyone added a Lemo (or other) connector in-line on a Schoeps BLM03? Thoughts? D.
Last reply by Derek H, -
- 1 follower
- 26 replies
- 3.9k views
Has anyone else found they need to crank the trim all the way up using a Boom Mic? I use a Sennheiser 416, Phantom Power is on. I just always seem to be cranking the trim all the way up. Is there a setting I'm missing, input limiters or something like that that I should check on? Thank you. -W
Last reply by The Documentary Sound Guy, -
- 1 reply
- 293 views
Hi all, I saw Comtek came out with this new antenna which, along with a mod for the older m216-option7 TXs, claims to reduce handling noise, improve RF performance and also keeps other RF stuff from getting into the input. I use these TX’s for small bag setups mostly with Zaxcom wireless (or Nova) and the Zaxnet whine gets int there sometimes. Are there any users out there that have tried this new antenna with a new TX or a TX that has been modified? I’ve tried and come up with a solution to mitigate Zax whine, and it’s ok I’m just wondering if this mod/antenna does a significantly better job. Would love to hear any experiences people have had. Many tha…
Last reply by The Documentary Sound Guy, -
- 1 follower
- 1 reply
- 285 views
Since I started, I have used several types and brands of headphones. Beyer DT48, Sennheiser HD25, Sony MDR7506, HD26 Pro and currently the Beyer DT250. I found some too bright, some too uncomfortable, well I never found The Ones ! At home I have Neumann KH monitors and find it trustful. I was wondering if some of you guys use the Neumann NDH20 headphones on location. I’ve read reviews but all are related to music. If some of you have tried it or use it on set, I would be very interested to know your thoughts about it, especially for the kind of job we do. Many thanks.
Last reply by Stef Albertyn, -
- 2 followers
- 3 replies
- 483 views
Hi, all, I have a Sound Devices 833 running 9.0.1 firmware. It has worked beautifully and flawlessly. Today I started it up and got the usual timecode modal and ignored it as always and the screen went black and all the fader lights turned off. I confirm power is getting to the box as it has batteries AND it was plugged into mains. Subsequently I have tried with just the batteries or just the power mains, no soap. Even if I could get the danged thing to start I would be hesitant to factory reset (for fear of losing all the presets I have made, plus the NA plugin) but I sure would like to force it to restart. Has anyone here had a similar issue? I have a backup…
Last reply by fuzztech, -
- 25 replies
- 2.3k views
Hello, We are building a little studio for sound editing/pre-mixing in 5.1. The room is quite small 6x4 meters (20x13 feet) ceiling at 3m20 (10.5 feet). Wich near field monitor would you consider? The picture will be projected on a 3.2 meter screen width. Audio monitors will also be placed behind the screen. Budget about 15'000$ for the speakers Thanks a lot. Patrick
Last reply by vin, -
- 4 followers
- 19 replies
- 1.3k views
I’m prepping for a job that involves a lot of flying packing light with no checked bags. My smallest boom is a ktek travel aluminum That I rarely use and it fits perfect but the collars are the worst of all the boom poles I own. Curious to know if anyone might recommend out of what’s currently available a better solution for the most compact size for carry on bag but max length fully extendable. Uncabled, would be great to be able to pull through an XLR cable if possible in the field (like psc if i am not mistaken?)
Last reply by Fred Salles, -
- 1 reply
- 337 views
Any audio signal (waveform) delay between Analog (SMV) and Digital (DBSM) within Lectrosonics DSR4 Four Channel Digital Slot Receiver? If the Analog signal is slower than Digital, can we set something lateerce (e.g. 0.05 second? ) in DSR4? What should I set?
Last reply by RunAndGun, -
- 2 followers
- 2 replies
- 359 views
Hello I am looking for advice on selling used lavalieres. Everything works but the wear ranges from Basically New, Slightly Used, and Very Used. What would be an average % discount on mics you've seen sold to friends and the community? I don't want to deal with shipping and eBay. Thanks! ~Ken
Last reply by Derek H, -
- 1 follower
- 0 replies
- 346 views
EnotsMedia teamed up with Stasher for Earth Day 2023 to build out all new Talent Mic Rigs utilizing their SNACK BAG design in Black. The Talent Mic Rigs safely hold a Lectrosonics SMQV/ SMWB, DPA Microphones 6061, Ursa Pouch, and are easily labeled for individual talent. My previous Mic Rigs used (semi) reusable poly/ mesh zipper bags - think Tentacle/ Diety style bags- that just didn’t last more than 6 months, however they were very inexpensive. Stasher's are leak free with a patented Pinch-Loc® seal and made with incredibly durable, food-grade platinum silicone. Endlessly reusable. Easy to clean. 1% for the planet. Women owned. Certifie…
Last reply by EnotsMedia, -
- 3 followers
- 14 replies
- 848 views
I have used many variations of shock mounts on stands and poles - studio and field but am struggling with a new application My new problem - recording ambient sounds destined for applications with an LFE channel - often adding an additional omni capsule to maximize the LF capture in addition to directional mics. In most cases I'm actually using a small cluster of mics but am noticing that with the low frequency running down to the limits of modern mics, 8-10 Hz, I'm experiencing new issues I didn't ever notice with a HP or mic roll-off around 30 Hz My understanding is that the Lyre mounts were designed to a low frequency effectivness of 20 Hz …
Last reply by Throwback, -
- 3 followers
- 21 replies
- 1.6k views
I like the minimalist lightweight look of the Rycote nanoshields but how are they comparing in the field? I read that early models had a handling noise issue that was possibly sorted out by new fabric? NAB 2023 seems to be showing them with the new fabric as standard. Or maybe that’s another new fabric? The Cinela piano works great but is heavy ands bit over-engineered if you ask me. The original Rycote Modular system still seems to work great… the cyclone looks ridiculous and heavy to me but I haven’t tried it so who knows. So where does this Nanoshield fit in? Does it offer the same amount of wind protection as the traditional modular system? …
Last reply by Throwback, -
- 1 follower
- 8 replies
- 1.6k views
I am looking into getting either the Sennheiser MKH70 or the Sennheiser 8070 Long Shotgun for Airshow interviews. I usually use my Sanken CS-3e for this situation, but last year, I decided to test out the Schoeps Cmit5u (performed much better than I anticipated). Both the Sanken and Schoeps do a wonderful job, but I feel something with a longer "reach" would be better suited for this task. The boom pole I am using is a K-Tek K-87CCR. Lavalier mics are not being considered at this time. Most of the shots showcase the featured aircraft behind the interviewee, thus being wider, requiring a longer "reach." Additionally, the surrounding environme…
Last reply by Affinity, -
- 4 followers
- 19 replies
- 3.8k views
Hey there, I’m demoing a Zaxcom boom rig for an upcoming project and the system is still new to me. I’m using a ZMT3 into an Ambient UMPII and I’m noticing a bit more hiss than my Lectro has. It’s not horrible but it is significantly louder than my Lectro SMV on the pole. I know Lectrosonics uses noise reduction but even with the smart NR off the zaxcom is noticibly noisier. Again, not horrible, but I’m curious if what I’m hearing is normal. This is the first time I’m using Zaxcom anything and I may just not be used to the sound yet. I’d love to hear from some Zaxcom users. Thanks!
Last reply by Wandering Ear, -
- 2 followers
- 11 replies
- 2.1k views
hello, So I just received my sound devices 633 and it is amazing! But when I was playing around with it I noticed that there are two tiny tiny pixels which are bright in colour when background is black. I did some research and found out that they were stuck pixels and atm I dont know if I should send it back to the shop which will probably take a week before they can send another one back to me if they approve that its a stuck pixel etc. Should I just keep it or get a new one? Any suggestions would be greatly appreciated. Here's a photo of it. The other pixel is so small the camera cant even pick it up lol. http://i.imgur.com/5v0twrs.jpg Cheers!
Last reply by Alisha78, -
- 1 follower
- 29 replies
- 4.5k views
I was pulling out some older cos 11 lavs that I haven't used for a while, and one of the mics' cable sheath has started to degrade. It looks normal, but the entire length of it has gone sticky. I'm going to try a few terrifying solvents I have lying around (start with citrus, then alcohol, then naphtha, then xylene, then acetone, then Methyl Ethyl Ketone) but wondering if anyone has come up against this and can recommend a fix? The mic works fine apart from the fact that I can throw it at the ceiling like a piece of spaghetti and it will stick... The one interesting thing about this mic is that it was bought second hand with a transmitter, and it's sheath always se…
Last reply by chinpou,
